The Forest Farm: Tales of the Austrian TyrolRosegger, Peter
General
The Forest Farm: Tales of the Austrian Tyrol
Rosegger, Peter
Domestic fiction; Historical fiction; Short stories, Austrian -- Translations into English; Tyrol (Austria) -- Fiction
The most important factor in this procession is faith; and that is
present in abundance. They worship not the bread, but the symbolic
mystery in whose lap rests our eternal destiny. It is really incorrect
to speak of the worship of images, or of the idolatry of the heathen:
they all mean one and the same thing, the symbolic divine mystery which
each represents to himself after his own fashion and feels according to
his nature. And the power to transfer the intangible, endless mystery
to a substance which our senses can apprehend and thus to enter into
more intimate relations with it: that power is the gift of faith.
The files of people reach the open-air altar and the foremost have to
pass along until the priest arrives at the spot. When there, he places
the Sacrament in the tabernacle and reads some verses from one of the
four gospels. Then, to the booming of the cannon, he lifts the
monstrance, turns with it to the four points of the compass and blesses
the meadows, the fields and the air, that the summer may be fruitful
and no storm destroy the husbandman's labour. And the procession moves
on.
This is in the larger villages. In the small mountain districts, the
feast is celebrated more simply, but no less solemnly. As, in such
places, all the lanes and streets are formed of live trees and shrubs,
there is no need to set up birches, except at the wayside crucifixes,
where they keep holy guard, one on the right and one on the left. As
the people of small places have not four altars to erect, there is a
small, portable altar, a little four-legged table with a white cloth to
cover it and a tabernacle with angels painted on a blue ground kneeling
before the "Holy Name." Above this is a little canopy with gold
tassels. Behind are straps by means of which a boy can take the altar
on his back and carry it, during the procession, from one gospel-place
to the other.
They have one of these little altars at Kathrein am Hauenstein. Should
you care to see it, it stands, in summer, in the church, in front of
the great picture of the Fourteen Helpers.[10] It has stood there as
long as I can remember; and, in my young days, it was the duty and the
privilege of Kaunigl, him with the hare-lip, to carry it from
gospel-place to gospel-place. As soon as one gospel was read and the
procession starting on its way again, he strapped the altar to his
back, took the candlesticks and the hassock in his hands and hurried
over the hill by the short cut through the woods, so as to obtain a
lead and set up the altar in the next place. He would fix a stone or
two under the feet of the little table to prevent any rocking, put the
hassock in position and light the candles; and, by that time, the first
banner was once more in sight.
Public-domain text, read in full here on John Shaqi.
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