The Forest King: Wild Hunter of the Adaca — John Shaqi
The Forest King: Wild Hunter of the AdacaKeyes, Hervey
History
The Forest King: Wild Hunter of the Adaca
Keyes, Hervey
Historical fiction; United States -- History -- Colonial period, ca. 1600-1775 -- Fiction
As the night wore away all became silent, excepting an occasional
outbreak from little Nelly Murphrey, calling for her mother. The
camp-fire no longer blazed, but the dying coals were yet red, and gave
sufficient light to see the nine dark forms stretched on the forest
floor. Mayall now began to move forward with cautious steps. He soon
discovered by the flickering of the embers that the Indian on the watch
had fallen asleep, with the stolen child nestling between him and the
Indian warrior beside him.
Mayall took a cautious look. No Indian in his blanket stirred. All was
silent, excepting the low murmuring of the Susquehanna rolling by. He
noiselessly rested his gun behind a tree, and leaped like a tiger upon
his prey, with his tomahawk in one hand, which he swung as fast as death
could deal a blow, and his long knife gleaming by the light of the fire
in the other. The last Indian in the circle, wakened by the screams of
the child, leaped from his leafy bed and fled into the forest with the
speed of a panther. Mayall, seeing his retreating form, sprang to the
Indian's guns and fired three in quick succession after him, to speed
his flight, and then, gathering up the remaining guns as quickly as
possible, threw them upon the coals with the muzzles in the direction
the Indian had gone, in order to keep up the firing until he could get
out of hearing with the affrighted child before the Indian returned. He
then took up Nelly, who was half dead with fright, and hurried off in
the opposite direction as fast as possible. The sharp report of one gun
after another broke the stillness of night until Mayall had got more
than two miles from the bloody conflict with his prize, and had soothed
the child's fears by softly whispering in her ear that he was carrying
her home to her mamma.
Public-domain text, read in full here on John Shaqi.
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