The Forged Note: A Romance of the Darker RacesMicheaux, Oscar
General
The Forged Note: A Romance of the Darker Races
Micheaux, Oscar
African Americans -- Fiction
Outside, a soft rain was falling. As he continued to listen, his gaze
wandered out over the city below, with its medley of buildings that rose
to various heights, and sparkled with electric lights. His gaze, in
drifting, presently surveyed the main street of the city, an unusually
wide thoroughfare, filled with the accustomed traffic. Beyond lay the
harbor, for the city is a great port, and the same was then filled with
innumerable vessels from far and near. A huge man-o-war arrested his
attention for a while, and then his gaze wandered further. A wind had
risen, from the way the water was dashed to spray against the windows.
The sound of a clock striking five resounded through the damp air, and
echoed in stentorian tones. It was late-winter, but, due perhaps to the
overcast skies, twilight was rapidly fading into darkness.
Failing to hear any further sound, he presently resumed his tired
position, and a few minutes later was lost in a sickly slumber.
There could be no mistake now! A step sounded in the hallway. It was a
light step, but firm and brisk and forward. It was unmistakably that of
a young woman. Onward it came in the direction of his small office.
There was a brief pause when the footsteps reached the door, and then a
knock, but without response from within. Presently the door was pushed
open, and the intruder entered the room lightly. Still, Sidney Wyeth,
unconscious of the presence of his visitor, did not move or speak.
The stranger paused hesitatingly, when once inside, and observed him
closely, where he sat with his face buried in his arms.
She was an attractive colored girl, trimly dressed in a striking,
dark-blue tailored suit, cut in the latest fashion. A small hat reposed
jauntily upon her head, while a wealth of dark hair was gathered in a
heavy mass over her ears. Her delicately molded face, set off by a
figure seemingly designed by an artist, were sufficient to captivate the
most discriminating critic.
A thin dark strap extended over one shoulder, at the ends of which a
small case was attached. Presently she drew a book from this same case,
and crossed the room to where the man sat.
"Good evening," she ventured, pausing at his side, and fumbling the book
she had taken from the case, in evident embarrassment. He mumbled
something inaudible, but remained silent. His outwardly indifferent
reception had not a discouraging effect upon his visitor, however, for
no sooner had she caught the sound of his voice, than she fell into a
concentrated explanation of the book.
Public-domain text, read in full here on John Shaqi.
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