THE FORTIETH DOOR
by
MARY HASTINGS BRADLEY
AUTHOR OF _The Wine of Astonishment_, etc.
1920
TO
ARTHUR MILLS CORWIN
CONTENTS
CHAPTER
I. A RASH PROMISE
II. MASKS AND MASKERS
III. IN THE PASHA'S PALACE
IV. EXPLANATIONS
V. AT THE GARDEN GATE
VI. A SECRET OF THE SANDS
VII. TO McLEAN'S ASTONISHMENT
VIII. TEWFICK RECEIVES
IX. A WEDDING PRESENT
X. THE RECEPTION
XI. THE FORTY DOORS
XII. THE UNINVITED GUEST
XIII. THE BEY RETURNS
XIV. WITHIN THE WALLS
XV. UNDERGROUND
XVI. OUT OF THE DARKNESS
XVII. AZIZA
XVIII. AZIZA IS OFFENDED
XIX. AN INTERRUPTION
XX. BEYOND THE DOOR
XXI. MISS JEFFRIES MAKES A CALL
XXII. FROM THE BAZAARS
XXIII. IN THE DESERT
XXIV. THE TOMB OF A KING
XXV. IN CAIRO
XXVI. THE PAINTED CASE
CHAPTER I
A RASH PROMISE
He didn't want to go. He loathed the very thought of it. Every
flinching nerve in him protested.
A masked ball--a masked ball at a Cairo hotel! Grimacing through
peep-holes, self-conscious advances, flirtations ending in giggles!
Tourists as nuns, tourists as Turks, tourists as God-knows-what, all
preening and peacocking!
Unhappily he gazed upon the girl who was proposing this horror as a
bright delight. She was a very engaging girl--that was the mischief
of it. She stood smiling there in the bright, Egyptian sunshine, gay
confidence in her gray eyes. He hated to shatter that confidence.
And he had done little enough for her during her stay in Cairo. One
tea at the Gezireh Palace Hotel, one trip to the Sultan al Hassan
Mosque, one excursion through the bazaars--not exactly an orgy of
entertainment for a girl from home!
He had evaded climbing the Pyramids and fled from the ostrich farm.
He had withheld from inviting her to the camp on the edge of the
Libyan desert where he was excavating, although her party had shown
unmistakable signs of a willingness to be diverted from the beaten
path of its travel.
And he was not calling on her now. He had come to Cairo for supplies
and she had encountered him by chance upon a corner of the crowded
Mograby, and there promptly she had invited him to to-night's ball.
"But it's not my line, you know, Jinny," he was protesting. "I'm so
fearfully out of dancing--"
"More reason to come, Jack. You need a change from digging up ruins
all the time--it must be frightfully lonely out there on the desert.
I can't think how you stand it."
Jack Ryder smiled. There was no mortal use in explaining to Jinny
Jeffries that his life on the desert was the only life in the world,
that his ruins held more thrills than all the fevers of her tourist
crowds, and that he would rather gaze upon the mummied effigy of any
lady of the dynasty of Amenhotep than upon the freshest and fairest
of the damsels of the present day.
Public-domain text, read in full here on John Shaqi.
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