Ganser went over into Nassau Street and found Beck in his office. He
gazed with melancholy misgivings at this lean man with hair and
whiskers of a lifeless black. Beck suggested a starved black spider,
especially when you were looking into his cold, amused, malignant black
eyes. He made short work of the guileless brewer, who was dazed and
frightened by the meshes in which he was enveloped. Staring at the
horrid specter of publicity which these men of craft kept before him,
he could not vigorously protest against extortion. Beck discovered
that twenty thousand was his fighting limit.
"Leave the matter entirely in our hands," said Beck. "We'll make the
best bargain we can. But Feuerstein has shrewd lawyers--none better.
That man Loeb--" Beck threw up his arms. "Of course," he continued, "I
had to know your limit. I'll try to make the business as cheap for you
as possible."
"Put 'em off," said Ganser. "My Lena's sick."
His real reason was his hopes from the reports on Feuerstein's past,
which his detective would make. But he thought it was not necessary to
tell Beck about the detective.
VI
TRAGEDY IN TOMPKINS SQUARE
After another talk with Travis, Feuerstein decided that he must give up
Hilda entirely until this affair with the Gansers was settled.
Afterward--well, there would be time to decide when he had his five
thousand. He sent her a note, asking her to meet him in Tompkins
Square on Friday evening. That afternoon he carefully prepared
himself. He resolved that the scene between her and him should be, so
far as his part was concerned, a masterpiece of that art of which he
knew himself to be one of the greatest living exponents. Only his own
elegant languor had prevented the universal recognition of this and his
triumph over the envy of professionals and the venality of critics.
It was a concert night in Tompkins Square, and Hilda, off from her work
for an hour, came alone through the crowds to meet him. She made no
effort to control the delight in her eyes and in her voice. She loved
him; he loved her. Why suppress and deny? Why not glory in the
glorious truth? She loved him, not because he was her conquest, but
because she was his.
Mr. Feuerstein was so absorbed in his impending "act" that he barely
noted how pretty she was and how utterly in love--what was there
remarkable in a woman being in love with him? "The women are all crazy
about me," was his inward comment whenever a woman chanced to glance at
him. As he took Hilda's hand he gave her a look of intense, yearning
melancholy. He sighed deeply. "Let us go apart," he said. Then he
glanced gloomily round and sighed again.
They seated themselves on a bench far away from the music and the
crowds. He did not speak but repeated his deep sigh.
"Has it made you worse to come, dear?" Hilda asked anxiously. "Are you
sick?"
Public-domain text, read in full here on John Shaqi.
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