“Not an hour. I return to that garden no more. There's a cottage on the
mountain road to Serravezza will suit us well: it stands alone and on an
eminence, with a view over the plain and the sea beyond. You can see it
from the door,--there, to the left of the olive wood, lower down than
the old ruin. We 'll live there, Billy, and we 'll make of that mean
spot a hallowed one, where young enthusiasts in art will come, years
hence, when we have passed away, to see the humble home Sebastian lived
in,--to sit upon the grassy seat where he once sat, when dreaming of the
mighty triumphs that have made him glorious.” A wild burst of mocking
laughter rung from the boy's lips as he said this; but its accents were
less in derision of the boast than a species of hysterical ecstasy at
the vision he had conjured up.
“And why would n't it be so?” exclaimed Billy, ardently,--“why would n't
you be great and illustrious?”
The moment of excitement was now over, and the youth stood pale, silent,
and almost sickly in appearance; great drops of perspiration, too, stood
on his forehead, and his quivering lips were bloodless.
“These visions are like meteor streaks,” said he, falteringly; “they
leave the sky blacker than they found it! But come along, let us to
work, and we 'll soon forget mere speculation.”
Of the life they now led each day exactly resembled the other. Rising
early, the youth was in his studio at dawn; the faithful Billy, seated
near, read for him while he worked. Watching, with a tact that only
affection ever bestows, each changeful mood of the youth's mind, Traynor
varied the topics with the varying humors of the other, and thus little
of actual conversation took place between them, though their minds
journeyed along together. To eke out subsistence, even humble as theirs,
the young sculptor was obliged to make small busts and figures for sale,
and Billy disposed of them at Lucca and Pisa, making short excursions to
these cities as need required.
Public-domain text, read in full here on John Shaqi.
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