“It was at this moment, and amidst the most enthusiastic cheers of the
Treasury bench, that Sir Horace Upton entered the House. Leaning on the
arm of Mr. Neville, he slowly passed up and took his accustomed place.
The traces of severe illness in his features, and the great debility
which his gestures displayed, gave an unusual interest to a scene
already almost dramatic in its character. For a moment the great
chief of Opposition was obliged to pause in his assault, to let this
flood-tide of sympathy pass on; and when at length he did resume, it was
plain to see how much the tone of his invective had been tempered by a
respect for the actual feeling of the House. The necessity for this act
of deference, added to the consciousness that he was in presence of the
man whose acts he so strenuously denounced, were too much for the nerves
of the orator, and he came to an abrupt conclusion, whose confused and
uncertain sentences scarcely warranted the cheers with which his friends
rallied him.
“Sir Horace rose at once to reply. His voice was at first so
inarticulate that we could but catch the burden of what he said,--a
request that the House would accord him all the indulgence which his
state of debility and suffering called for. If the first few sentences
he uttered imparted a painful significance to the entreaty, it very soon
became apparent that he had no occasion to bespeak such indulgence. In a
voice that gained strength and fulness as he proceeded, he entered
upon what might be called a narrative of the foreign policy of the
administration, clearly showing that their course was guided by certain
great principles which dictated a line of action firm and undeviating;
that the measures of the Government, however modified by passing events
in Europe, had been uniformly consistent,--based upon the faith of
treaties, but ever mindful of the growing requirements of the age.
Through a narrative of singular complexity he guided himself with
consummate skill, and though detailing events which occupied every
region of the globe, neither confusion nor inconsistency ever marred the
recital, and names and places and dates were quoted by him without any
artificial aid to memory.”
Public-domain text, read in full here on John Shaqi.
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