The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole — John Shaqi
The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'TooleMaxwell, W. H. (William Hamilton)
General
The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole
Maxwell, W. H. (William Hamilton)
Ireland -- Social life and customs -- 19th century -- Fiction
“To save my uncle from the gallows. They told me that witnesses who must
convict him and others were sheltered in this house; and that could
they but be carried off and concealed until after the assizes, then the
prisoners’ lives were safe. They stated that they only wanted the
arms deposited in Knockloftie;--that they would swear you to quit the
country--and thus intimidate those who had followed your example and
ventured to remain. Before I consented to carry the letter which
my brother wished to have conveyed to Hackett, he swore upon the
chapel-altar where the party had collected, that not one hair of your
head should suffer injury. May God forgive him!”
“To that prayer, Mary, I add a sincere amen! He is gone to his
account--a perjurer!”
“Gone to his account!” exclaimed the girl. “Is he dead? Who killed him?”
“He fell by the hand of one whom he would have more than murdered!”
“Then am I now indeed alone upon the world!” A long and liar-rowing
silence followed. “Denis,” she said, “I dare not curse, and cannot
bless you. Four short years have passed. How bitterly have all things
changed?”
“Stop, Mary! From my soul, I pity and believe you. You tell me that you
did not know the purport of this night attack!”
“God knows, I did not. You wrecked my happiness; but still I would
not--could not subdue feelings now best forgotten. Forgotten, said
I?--never!”
Mary Halligan had spoken to my father in her native tongue; and those
who are intimate with that portion of the kingdom where the Celtic
language is still retained, will remember with what poetic imagery, the
Irish peasantry at times detail their mingled story of grief and joy,
wrong and suffering.
Mary was one of those on whom nature stamps the grace which art idly
or imperfectly can simulate. Her voice had all “The sweetness of the
mountain-tongue and more affecting still, all that it uttered seemed to
come directly from the heart.”
Public-domain text, read in full here on John Shaqi.
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