The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
By this time Simmons had taken his seat at the piano; Cockburn held the
blower and tongs; Cranch, who on coming in had ignored the card tacked
to his door, and who was found fast asleep in his chair, was given the
coal-scuttle; and little Tomlins grasped his own wash-basin in one hand
and Fred's poker in the other. Oliver was to sing the air, and Fred was
to beat a tattoo on Waller's door with the butt end of a cane. The gas
had been turned up and every kerosene lamp had been lighted and ranged
about the hall. McFudd threw off his coat and vest, cocked a Scotch
smoking-cap over one eye, and seizing the Chinese gong in one hand and
the wooden mallet in the other, climbed upon the piano and faced his
motley orchestra.
"Attintion, gentlemen," whispered McFudd.
"The first chune will be 'Old Dog Tray,' because it begins wid a lovely
howl. Remimber now, when I hit this gong that's the signal for yez to
begin, and ye'll all come together wid wan smash. Then the band will
play a bar or two, and then every man Jack o' ye will go strong on the
chorus. Are yez ready?"
McFudd swung his mallet over his head; poised it for an instant; ran
his eye around the circle with the air of an impresario; saw that the
drum was in position, the horns and clarionet ready, the blower,
scuttle, tongs, and other instruments of torture in place, and hit the
gong with all his might.
The crash that followed woke every boarder in the house and tumbled
half of them out of their beds. Long before the chorus had been reached
all the doors had been thrown open, and the halls and passageways
filled with the startled boarders. Then certain mysterious-looking
figures in bed-gowns, water-proofs, and bath-robes began bounding up
the stairs, and a collection of dishevelled heads were thrust through
the door of the attic. Some of the suddenly awakened boarders tried to
stop the din by protest; others threatened violence; one or two grinned
with delight. Among these last was the little hunchback, swathed in a
blanket like an Indian chief, and barefooted. He had rushed upstairs at
the first sound as fast as his little legs could carry him, and was
peering under the arms of the others, rubbing his sides with glee and
laughing like a boy. Mrs. Schuyler Van Tassell, whose head and
complexion were not ready for general inspection, had kept her door
partly closed, opening it only wide enough when the other boarders
rushed by to let her voice through--always an unpleasant organ when
that lady had lost her temper.
As the face of each new arrival appeared in the doorway, McFudd would
bow gracefully in recognition of the honor of its presence, and
redouble his attack on the gong. The noise he produced was only
equalled by that of the drum, which never ceased for an
instant--McFudd's orders being to keep that instrument going
irrespective of time or tune.
Public-domain text, read in full here on John Shaqi.
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