The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
As he told her of his trip up the valley and the effect it made upon
him, and how he had never dreamed of anything so beautiful, and how
good the Pollards were; and what he had painted and what he expected to
paint; talking all the time with his thumb circling about as if it was
a bit of charcoal and the air it swept through but a sheet of Whatman's
best, her critical eye roamed over his figure and costume. She had
caught in her first swift, comprehensive glance from over the
bridge-rail, the loose jacket and broad-brimmed planter's hat, around
which, with his love of color, Oliver had twisted a spray of nasturtium
blossoms and leaves culled from the garden-patch that morning; but now
that he was closer, she saw the color in his cheeks and noticed, with a
suppressed smile, the slight mustache curling at the ends, a new
feature since the school had closed. She followed too the curves of the
broad chest and the muscles outlined through his shirt. She had never
thought him so strong and graceful, nor so handsome. (The smile came to
the surface now--an approving, admiring smile.) It was the
mountain-climbing, no doubt, she said to herself, and the open-air life
that had wrought the change.
With a laugh and toss of her head she unpacked her own basket and laid
her contribution to the feast on the flat rock--the pie on a green
dock-leaf, which she reached over and pulled from the water's edge, and
the cake on the pink napkin--the only sign of city luxury in her
outlay. Oliver's eye meanwhile wandered over her figure and costume--a
costume he had never seen before on any living woman, certainly not any
woman around Kennedy Square. The cloth skirt came to her ankles, which
were covered with yarn stockings, and her feet were encased in shoes
that gave him the shivers, the soles being as thick as his own and the
leather as tough. (Sue Clayton would have died with laughter had she
seen those shoes.) Her blouse was of gray flannel, belted to the waist
by a cotton saddle-girth--white and red--and as broad as her hand. The
tam-o'-shanter was coarse and rough, evidently home-made, and not at
all like McFudd's, which was as soft as the back of a kitten and
without a seam.
Then his eyes sought her face. He noticed how brown she was--and how
ruddy and healthy. How red the lips--red as mountain-berries, and back
of them big white teeth--white as peeled almonds. He caught the line of
the shoulders and the round of the full arm and tapering wrist, and the
small, well-shaped hand. "Queer clothes," he said to himself--"but the
girl inside is all right."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account