The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
Sitting under the shadow of the old bridge on the main highway, each
weighed and balanced the other, even as they talked aloud of the
Academy School, and the pupils, and the dear old Professor whom they
both loved. They discussed the prospect of its doors being opened the
next winter. They talked of Mrs. Mulligan, and the old Italian who sold
peanuts, and whose head Margaret had painted; and of Jack Bedford and
Fred Stone--the dearest fellow in the world--and last year's
pictures--especially Church's "Niagara," the sensation of the year, and
Whittredge's "Mountain Brook," and every other subject their two busy
brains could rake and scrape up except--and this subject, strange to
say, was the only one really engrossing their two minds--the
overturning of Mr. Judson's body on the art-school floor, and the
upsetting of Miss Grant's mind for days thereafter. Once Oliver had
unintentionally neared the danger-line by mentioning the lithographer's
name, but Margaret had suddenly become interested in the movements of a
chipmunk that had crept down for the crumbs of their luncheon, and with
a woman's wit had raised her finger to her lips to command silence lest
he should be frightened off.
They painted no more that afternoon. When the shadows began to fall in
the valley they started up the road, picking up Oliver's easel and
trap--both had stood unmolested and would have done so all summer with
perfect safety--and Oliver walked with Margaret as far as the bars that
led into Taft's pasture. There they bade each other good-night,
Margaret promising to be ready in the morning with her big easel and a
fresh canvas, which Oliver was to carry, when they would both go
sketching together and make a long blessed summer day of it.
That night Oliver's upraised, restless hands felt the shingles over his
head more than once before he could get to sleep. He had not thought he
could be any happier--but he was. Margaret's unexpected appearance had
restored to him that something which the old life at home had always
yielded. He was never really happy without the companionship of a
woman, and this he had not had since leaving Kennedy Square. Those he
had met on rare occasions in New York were either too conventional or
selfconscious, or they seemed to be offended at his familiar Southern
ways. This one was so sensible and companionable, and so appreciative
and sympathetic. He felt he could say anything to her and she would
know what he meant. Perhaps, too, by and by she would understand just
why he had upset a man who had been rude to her.
Margaret lay awake, too--not long--not more than five minutes, perhaps.
Long enough, however, to wish she was not so sunburnt, and that she had
brought her other dress and a pair of gloves and a hat instead of this
rough mountain-suit. Long enough, too, to recall Oliver's standing
beside her on the bridge with his big hat sweeping the ground, the
color mounting to his cheeks, and that joyous look in his eyes.
Public-domain text, read in full here on John Shaqi.
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