The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
"Now, don't you laugh, you dear old motherkins," he cried, drawing her
nearer to him until her face touched his. "Sue don't care a thing about
me, and I did promise her the book, and I ran every step of the way to
give it to her--didn't I, Uncle Nat?" he added, gayly, hoping to divert
the topic. "You were behind the sun-dial when I passed--don't you
remember?" He shrank a little from the badinage.
The old musician heard the question, but only waved his flute behind
him in answer. He did not even lift his head from beside Richard's at
the score.
Oliver waited an instant, and getting no further reply, released his
hold about his mother's neck, now that he had kissed her into silence,
and turned to Miss Clendenning again.
"Come, Miss Lavinia--come into the library. I've something very
important to talk to you about. Really, now; no nonsense about it!
You've plenty of time--old Max won't be here for an hour, he's always
late, isn't he, mother?"
Miss Clendenning turned quietly, lifted her eyes in a martyr-like way
toward Mrs. Horn, who shook her head playfully in answer, and with
Oliver's arm about her entered the library. She could never refuse any
one of the young people when they came to her with their secrets--most
important and never-to-be-postponed secrets, of course, that could
hardly wait the telling. Her little tea-room across the Square, with
its red damask curtains, its shiny brass andirons, easy-chairs and
lounges, was really more of a confessional than a boudoir. Many a
sorrow had been drowned in the cups of tea that she had served with her
own hand in egg-shell Spode cups, and many a young girl and youth who
had entered its cosey interior with heavy hearts had left it with the
sunshine of a new hope breaking through their tears. But then everybody
knew the bigness of Miss Clendenning's sympathies. It was one of the
things for which they loved her.
She, of course, knew what the boy wanted now. If it were not to talk
about Sue Clayton it was sure to be about some one of the other girls.
The young people thought of nothing else but their love-affairs, and
talked of nothing else, and the old people loved to live their youth
over again in listening. It was one of the traditional customs of
Kennedy Square.
Miss Clendenning settled herself in a corner of the carved haircloth
sofa, touched her side-combs with her finger to see that they were in
place, tucked a red cushion behind her back, crossed her two little
feet on a low stool, the two toes peeping out like the heads of two
mice, and taking Oliver's hand in hers said, in her sweet, coaxing
voice:
"Now, you dear boy, it is Sue, isn't it?"
"No!"
"Not Sue? Who then?"
"Mr. Crocker."
"What Mr. Crocker?" She arched her eyebrows and looked at him in
surprise. The name came as a shock. She knew of Mr. Crocker, of course,
but she wanted Oliver to describe him. Surely, she thought, with a
sudden sense of alarm, the boy has not fallen in love with the daughter
of that shabby old man.
Public-domain text, read in full here on John Shaqi.
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