The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
"But I'm not going to paint dogs," he replied, with some impatience. "I
am going to paint women, like the Sir Peter Lely that Uncle John
Tilghman has. Oh, she's a beauty! I took Mr. Crocker to see her the
other day. It had just been brought in from the country, you know. You
should have heard him go on. He says there's nobody who can paint a
portrait like it nowadays. He raved about her. You know it is Uncle
John Tilghman's grandmother when she was a girl." His voice suddenly
dropped to a more serious tone as he imparted this last bit of
information.
Miss Clendenning knew whose grandmother it was, and knew and loved
every tone in the canvas. It had hung in the Tilghman Manor-House for
years and was one of its most precious treasures, but she did not
intend to stop and discuss it now.
"Mr. Crocker wants me to copy it just as soon as I draw a little
better. Uncle John will let me, I know."
Miss Clendenning tapped her foot in a noiseless tattoo upon the stool,
and for a time looked off into space. She wanted to draw him out, to
know from what depth this particular enthusiasm had sprung. She was
accustomed to his exuberance of spirits, it was one of the many things
she loved him for. If this new craze were but an idle fancy, and he had
had many of them, it would wear itself out, and the longer they talked
about it the better. If, however, it sprang from an inborn taste, and
was the first indication of a hitherto undeveloped talent forcing
itself to the surface, the situation was one demanding the greatest
caution. Twigs like Oliver bent at the wrong time might never
straighten out again.
"And why did you come to me about this, Ollie; why don't you talk to
your father?"
"I have. He doesn't object. He says that Mr. Crocker is one of the rare
men of the time, and that only inexperience among the people here
prevents him from being appreciated. That's what he goes to see him
for. It isn't father that worries me, it's mother. I know just whet
she'll say. She's got her heart set on my studying law, and she won't
listen to anything else. I wouldn't object to the law if I cared for
it, but I don't. That's what makes it come so hard."
"And you want me to speak to your mother?"
Public-domain text, read in full here on John Shaqi.
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