The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
Oliver hung his wet coat among the row of garments lining the wall--he
had come twice as far as the others--crowded his dripping umbrella into
a broken Chinese jar that did duty as a rack, and, catching sight of
the canvas, walked toward the easel holding the thirty by forty.
"Where did you get it, Freddie?" he said, putting his arms around the
shoulders of his old chum and dragging him toward the easel for a
closer inspection of the grain of the canvas.
"Snedecor's"
"Just right, old man. Much obliged," and he felt the grain of the cloth
with his thumb. "Got a ruff?" and he glanced about him. "Oh, yes; I
see. Thanks."
The men, now that Oliver had arrived, drew up around the long table.
Some began setting their palettes; others picked out, from the common
stock before them, the panels, canvases, china plates, or sheets of
paper, which, under their deft touches, were so soon to be covered with
dainty bits of color.
It was in many ways a remarkable club. Most of its members had already
achieved the highest rank in their several professions and outside the
walls of this eyrie were known as earnest, thoughtful men, envied and
sought after by those who respected their aims and successes.
Inside these cosey rooms all restraint was laid aside and each man's
personality and temperament expressed itself without reserve. Harry
Stedman, who, perhaps, had been teaching a class of students all the
morning in the new building of the National Academy of Design, each one
of whom hung upon his words as if he had been inspired, could be found
here a few hours later joining in a chorus with a voice loud enough to
rattle every mug on the table.
Waller, who doubtless that same night, had been the bright particular
star at some smart dinner uptown, and whose red ribbon had added such
eclat to the occasion, and whose low voice and quiet manners and
correct, conventional speeches had so charmed and captivated the lady
on his right, would, when once in this room, sit astride some chair, a
pipe in one hand, a mug of beer in the other. Here he would discuss
with Simmons or Jack or Oliver his preference of Chopin over Beethoven,
or the difference between Parepa-Rosa and Jenny Lind, or any topic
which had risen out of the common talk, and all too with a
grotesqueness of speech and manner that would have frozen his hostess
of the dinner-table dumb with astonishment could she have seen him.
And so with the others. Each man was frankly himself and in undress
uniform when under Fred's skylight, or when the club was enjoying any
one of its various festivals and functions.
Public-domain text, read in full here on John Shaqi.
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