The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
Oliver's election into the organization had, therefore, been to him one
of the greatest honors he had received since his skill as a painter had
been recognized by his fellows--an honor not conferred upon him because
he had been one of the earlier members of the old Union Square
organization, many of whom had been left out, but entirely because he
was not only the best of fellows, but among the best of painters as
well. An honor too, which brought with it the possibility of a certain
satisfying of his tastes. Only once before had he found an atmosphere
so congenial and that was when the big hemlocks that he loved stood
firm and silent about him--companions in a wilderness that rested him.
The coming together of such a body of men representing, as they did,
the choicest the city afforded in art, literature and music, had been
as natural and unavoidable as the concentration of a mass of iron
filings toward a magnet. That insatiable hunger of the Bohemian, that
craving of the craftsman for men of his kind, had at last overpowered
them, and the meetings in Fred's studio were the inevitable result.
Many of these devotees of the arts had landed on the barren shores of
America--barren of even the slightest trace of that life they had
learned to love so well in the Quartier Latin in Paris and in the
Rathskellers of Munich and Dusseldorf--and had wandered about in the
uncongenial atmosphere of the commonplace until this retreat had been
opened to them. Some, like Fred Stone and Jack Bedford, who had
struggled on through the war, too much occupied in the whirl of their
life to miss at the time the associations of men of similar tastes, had
eagerly grasped the opportunity when it came, and others, like Oliver,
who had had all they could do to get their three meals during the day
and a shelter for the night, had hardly been conscious of what they
wanted until the club had extended to them its congenial surroundings.
On the trio of painters we knew best in the old days these privations
and the uncertainties and disappointments of the war had left their
indelible mark. You became aware of this when you saw them among their
fellow-workers. About Fred's temples many tell-tale gray hairs were
mingled with the brown, and about his mouth and eyes were deeper lines
than those which hard work alone would have cut. He carried a hole,
too, in his right arm--or did until the army surgeon sewed it up--you
could see it as a blue scar every time he rolled up his sleeve--a
slight souvenir of the Battle of Five Forks. It was bored out by a
bullet from the hands of a man in gray when Fred, dropping his
sketch-book, had bent to drag a wounded soldier from under an
overturned caisson. He carried no scar, however, in his heart. That
organ beat with as keen a sympathy and as warm a spirit of camaraderie
as it did when it first opened itself to Oliver's miseries in Union
Square.
Public-domain text, read in full here on John Shaqi.
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