The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
Jack Bedford, gaunt and strong of limb, looking a foot taller, had more
than once been compelled to lay down his painter's palette and take up
the sign-painter's brush, and the tell-tale wrinkles about his eyes and
the set look about his mouth testified but too plainly to the keenness
of his sufferings.
And Oliver--
Ah! what of Oliver, and of the changes in him since that fatal night in
Kennedy Square when he had been driven away from his home and made an
outcast because he had been brave enough to defend a helpless man?
You can see at a glance, as you watch him standing by the big easel,
his coat off, to give his arm freer play, squeezing the tubes of color
on his palette, that he is not the boy you knew some years ago. He is,
you will admit, as strong and alert-looking as he was that morning when
he cleared the space in front of Margaret's brother with a cart-rung.
You will concede, too, that the muscles about his chest and throat are
as firmly packed, the eyes as keen, and the smile as winning, but you
will acknowledge that the boy in him ends there. As you look the closer
you will note that the line of the jaw is more cleanly cut than in his
younger days; that the ears are set closer to the finely modelled head;
that the nose is more aquiline, the eyes deeper, and that the
overhanging brow is wrinkled with one or more tight knots that care has
tied, and which only loosen when his face breaks into one of his
old-time smiles. The mustache is still there--the one which Sue once
laughed at; but it has lost its silky curl and stands straight out now
from the corners of his mouth, its points reaching almost to the line
of his ears. There is, too, beneath it a small imperial, giving to his
face the debonair look of a cavalier, and which accentuates more than
any other one thing his Southern birth and training. As you follow the
subtle outlines of his body you find too, that he is better
proportioned than he was in his early manhood; thinner around the
waist, broader across the shoulders; pressed into a closer mold; more
compact, more determined-looking. But for the gleam that now and then
flashes out of his laughing eyes and the winning smile that plays about
his mouth, you would, perhaps, think that the years of hardship through
which he has passed have hardened his nature. But you would be wrong
about the hardening process, although you would have been entirely
right about the hardship.
Public-domain text, read in full here on John Shaqi.
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