The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
Of course she promised. Had she ever refused him anything? And Oliver,
a boy again, now that his confessions were made, kissed her joyously on
both cheeks and instantly forgetting his troubles as his habit was when
prospects of relief had opened, he launched out into an account of a
wonderful adventure Mr. Crocker once had in an old town in Italy, where
he was locked up over-night in a convent by mistake; and how he had
slept on his knapsack in the chapel, and what the magistrate had said
to him the next day, and how he had to paint a portrait of that
suspicious officer to prove he was a painter and a man of the best
intentions. In his enthusiasm he not only acted the scene, but he
imitated the gesture and dialect of the several parties to the escapade
so perfectly that the little lady, in her delight over the story, quite
forgot her anxiety and even the musicale itself, and only remembered
the quartette when Malachi, bowing obsequiously before her, said:
"Dey's a-waitin' for you, Miss Lavinia. Mister Unger done come and
Marse Richard say he can't wait a minute."
When she and Oliver entered the drawing-room the 'cellist was the
centre of the group. He was stripping off the green baize cover from
his instrument and at the same time was apologizing, in his broken
English, for being so late. Richard was interrupting him with
enthusiastic outbursts over the new score which still lay under the wax
candles lighting the piano, and which he and Nathan, while waiting for
the musician, had been silently practising in sundry bobs of their
heads and rhythmic beatings of their hands.
"My dear Max," Richard continued, with a hand on the musician's
shoulder, patting him in appreciation as he spoke, "we will forgive you
anything. You have so exactly suited to the 'cello the opening theme.
And the flute passages!--they are exquisitely introduced. We will let
Miss Clendenning decide when she hears it--" and he turned Unger's head
in the direction of the advancing lady. "Here she comes now; you, of
course, know the fine quality of Miss Clendenning's ear."
Herr Unger placed his five fat fingers over his waist-baud, bowed as
low to Miss Lavinia as his great girth would permit, and said:
"Ah, yes, I know. Miss Clendenning not only haf de ear she haf de life
in de end of de finger. De piano make de sound like de bird when she
touch it."
The little lady thanked him in her sweetest voice, made a courtesy, and
extended her hand to Max, who kissed it with much solemnity, and
Richard, putting his arm around the 'cellist's fat shoulders, conducted
him across the room, whereupon Nathan, with the assumed air of an old
beau, offered his crooked elbow to Miss Clendenning as an apology for
having reached the house before her. Then, seating her at the piano
with a great flourish, he waved his hand to Oliver, who had drawn up a
chair beside his mother, and with a laugh, cried:
Public-domain text, read in full here on John Shaqi.
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