The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
With something of his old manner he again straightened himself up,
threw his shoulders back as if strengthened by some new determination,
walked firmly across the room, and picked up his cloak. As he stood
waiting for Oliver to place it about his shoulders, he put his hand to
his side, with a quick movement, as if smitten by some sudden pain,
staggered backward, his head upon his breast, and would have sunk to
the floor but for Oliver's hand. Margaret sprang forward and caught his
other arm.
"It's nothing, my son," he said, between his gasps for breath, holding
on to Oliver. "A sudden giddiness. I'm often subject to it. I, perhaps,
got up too quickly. It will pass over. Let me sit down for a moment."
Half supporting him, Oliver put his arm about his father and laid him
on the lounge.
As Richard's head touched the cushion that Margaret had made ready, he
gave a quick gasp, half rose as if to breathe the better, and fell back
unconscious.
When the doctor arrived Richard was lying on Margaret's bed, where
Oliver had carried him, he had rallied a little, and had then sunk into
a deep sleep. Margaret sat beside him, watching every breath he drew,
the scalding tears streaming down her face.
The physician bent closer and pressed his ear to the sleeping man's
breast.
"Has he been subject to these attacks?" he said, in a grave tone.
"I know of only one some years ago, the year the war broke out, but he
recovered then very quickly," answered Oliver.
"Is your mother living!"
"Yes."
"Better send her word at once."
CHAPTER XXV
SMOULDERING COALS
The night wind sighed through the old sycamores of Kennedy Square. A
soft haze, the harbinger of the coming spring, filled the air. The cold
moon, hanging low, bleached the deserted steps of the silent houses to
a ghostly white.
In the Horn mansion a dim light burned in Richard's room and another in
the lower hall. Everywhere else the house was dark.
Across the Square, in Miss Clendenning's boudoir, a small wood fire,
tempering the chill of the April night, slumbered in its bed of ashes,
or awakened with fitful starts, its restless blaze illumining the
troubled face of Margaret Grant. The girl's eyes were fixed on the
dying coals, her chin in her hand, the brown-gold of her wonderful hair
gold-red in the firelight. Now and then she would lift her head as if
listening for some approaching footstep. Miss Clendenning sat beside
her, leaning over the hearth in her favorite attitude, her tiny feet
resting on the fender.
Public-domain text, read in full here on John Shaqi.
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