The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
The years had touched the little lady but lightly since that night when
she sat in this same spot and Oliver had poured out his heart to her.
She was the same dainty, precise, lovable old maid that she had been in
the old days of Kennedy Square, when the crocuses bloomed in the
flower-beds and its drawing-rooms were filled with the wit and fashion
of the day. Since that fatal night when Richard had laid away his
violin and brother had been divided against brother, and Kennedy Square
had become the stamping ground of armed men, she had watched by the
bedsides of a thousand wounded soldiers, regardless of which flag they
had battled under. The service had not withered her. Time had simply
stood still, forgetting the sum of its years, while it marked her with
perennial sweetness.
"I'm afraid he's worse," Margaret said, breaking the silence of the
room, as she turned to Miss Clendenning, "or Ollie would have been here
before this. Dr. Wallace was to go to the house at eleven, and now it
is nearly twelve."
"The doctor may have been detained," Miss Clendenning answered. "There
is much sickness in town."
For a time neither spoke. Only the low muttering of the fire could be
heard, or the turning of some restless coal.
"Margaret," Miss Clendenning said at last--it had always been
"Margaret" with the little lady ever since the day she had promised
Oliver to love the woman whom he loved; and it was still "Margaret"
when the women met for the first time in the gray dawn at the station
and Miss Clendenning herself helped lead Richard out of the
train--"There is a bright side to every trouble. But for this illness
you would never have known Oliver's mother as she really is. All her
prejudices melted away as soon as she looked into your face. She loves
you better every day, and she is learning to depend on you just as
Richard and Oliver have done."
"I hope she will," the young woman answered, without moving. "It breaks
my heart to see her suffer as she does. I see my own mother in her so
often. She is different in many ways, but she is the same
underneath--so gentle and so kind, and she is so big and broad-minded
too. I am ashamed to think of all the bitter feelings I used to have in
my heart toward her."
She stopped abruptly, her hands tightly folded in her lap, her
shoulders straightened. Margaret's confessions were always made in this
determined way, head thrown back like a soldier's, as though a new
resolve had been born even while an old sin was being confessed.
"Go on," said Miss Clendenning. "I understand. You mean that you did
not know her."
"No; but I thought her narrow and proud, and that she disliked me for
influencing Oliver in his art, and that she wanted to keep him from me
and from my ideals. Oh, I've been very, very wicked!"
"Not wicked, my dear--only human. You are not the first woman who did
not want to divide a love with a mother."
Public-domain text, read in full here on John Shaqi.
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