The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
Girl as she was, Sue already possessed that subtle power of unconscious
coquetry which has distinguished all the other Sue Claytons of all the
other Kennedy Squares the South over since the days of Pocahontas. She
had kept Oliver's mind away from the subject that engrossed him, and on
herself; and when, at last, standing between the big columns of the
portico she had waved her hand, good-night, and had gained his promise
to stop in the morning on his way to the office, for just another word,
she felt sure that his every thought was of her. Then she had closed
the big front door--she was the last person in the house awake--and
tripped upstairs, not lighting her candle until she had peeped through
her shutters, and had found him standing on the other side of the
street looking toward the house. He made a handsome picture of a lover,
as he stood in the moonlight, and Sue smiled complacently to herself at
the delicate attention paid her, but Oliver's eyes, the scribe is
ashamed to say, were not fixed on the particular pair of green blinds
that concealed this adorable young lady, certainly not with any desire
to break through their privacy. One of the unforgivable sins--nay, one
of the impossible sins--about Kennedy Square would have been to have
recognized a lady who looked, even during the daytime, out from a
bedroom window: much less at night. That was why Sue did not open her
blinds.
Nor, indeed, was Oliver occupied with the question of Sue's blinds at
all. He had for the moment in fact completely forgotten the existence
of his lady-love. He was, if the truth must be told, studying the
wonderful effect of the white light of the moon flooding with its
radiance the columns and roof of the Clayton house, the dark magnolias
silhouetted against the flight of steps and the indigo-blue of the sky.
He had already formulated in his mind the palette with which he would
paint it, and had decided that the magnolias were blue-black and not
green, and the steps greenish-white. He had, furthermore, determined to
make an outline of it in the daylight, and talk to Mr. Crocker about
it. Sue's eyes, which but a moment before had so charmed him, no longer
lingered in his memory--nor even in any one of the far corners of his
head and heart. It was only when her light flashed up that he awoke to
the realization of what he was doing, and even this breach of good
manners was forgotten by him in his delight over the effect which the
red glow of the candle gave to the whole composition.
With the picture clearly stamped upon his brain, he turned and stepped
quickly across the Square, and in another moment he had thrown his
mother a kiss through the window, and rushing inside had caught her in
his arms.
"Poor motherkins--and you all alone," he cried. "Why, I thought you and
father had gone to bed long ago."
Public-domain text, read in full here on John Shaqi.
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