The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
Then with a smile on her face, she had kissed him good-night, closed
the door, and staggering along the corridor steadying herself as she
walked, her hand on the walls, had thrown herself upon her bed in an
agony of tears, crying out:
"Oh, my boy--my boy! How can I give you up? And I know it is forever!"
And now here he is foot-sore and heart-sore, sitting in Union Square,
New York, the roar of the great city in his ears, and here he must sit
until the cattle-barge which takes him every night to the house of Amos
Cobb's friend is ready to start on her voyage up the river.
He sat with his head in his hands, his elbows on his knees, not
stirring until a jar on the other end of the bench roused him. A negro
hod-carrier, splashed with plaster, and wearing a ragged shirt and a
crownless straw hat, had taken a seat beside him. The familiarity of
the act startled Oliver. No negro wayfarer would have dared so much in
his own Square at home.
The man reached forward and drew closer to his own end of the bench a
bundle of sawed ends and bits of wood which he had carried across the
park on his shoulder.
Oliver watched him for a moment, with a feeling amounting almost to
indignation. "Were the poverty and the struggle of a great city to
force such familiarities upon him," he wondered. Then something in the
negro's face, as he wiped the perspiration from his forehead with the
back of his hand, produced a sudden change of feeling. "Was this man,
too, without work?" Oliver asked himself, as he felt the negro's
weariness, and realized for the first time, the common heritage of all
men.
"Are you tired, Uncle?" he asked.
"Yes, a little mite. I been a-totin' dis kindlin' from way up yander in
Twenty-third Street where the circus useter be. Dey's buildin' a big
hotel dere now--de Fifth Avenue dey calls it. I'm a-carryin' mortar for
de brick-layers an' somehow dese sticks is monst'ous heavy after
workin' all day."
"Where do you live?" asked Oliver, his eyes on the kindling-wood.
"Not far from here, sah; little way dis side de Bow'ry. Whar's yo'r
home?" And the old man rose to his feet and picked up his bundle.
The question staggered Oliver. He had no home, really none that he
could call his own--not now.
"Oh, a long way from here," he answered, thoughtfully, without raising
his head, his voice choking.
The old negro gazed at him for a moment, touched his hat respectfully,
and walked toward the gate. At the entrance he wheeled about, balanced
the bundle of wood on his shoulder and looked back at Oliver, who had
resumed his old position, his eyes on the ground. Then he walked away,
muttering:
"'Pears like he's one o' my own people calling me uncle. Spec' he ain't
been long from his mammy."
Public-domain text, read in full here on John Shaqi.
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