The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
Two street-rats now sneaked up toward Oliver, watched him for a moment,
and whispered to each other. One threw a stone which grazed Oliver's
head, the other put his hand to his mouth and yelled: "Spad, spad," at
the top of his voice. Oliver understood the epithet, it meant that he
wore clean linen, polished shoes, and perhaps, now and then, a pair of
gloves. He had heard the same outcry in his own city, for the slang of
the street-rat is Volapuk the world over. But he did not resent the
assault. He was too tired to chase any boys, and too despondent to
answer their taunts.
A constable, attracted by the cries of the boys, now passed in front of
him swinging his long staff. He was about to tap Oliver's knees with
one end of it, as a gentle reminder that he had better move on, when
something in the young man's face or appearance made him change his
mind.
"Hi, sonny," he cried, turning quickly and facing Olivr, "yer can't bum
round here after ten, ye know. Keep yer eyes peeled for them gates,
d'ye hear?"
If Oliver heard he made no reply. He was in no mood to dispute the
officer's right to order him about. The gates were not the only
openings shut in his face, he thought to himself; everything seemed
closed against him in this great city. It was not so at home on Kennedy
Square. Its fence, was a shackly, moss-covered, sagging old fence,
intertwined with honeysuckles, full of holes and minus many a paling;
where he could have found a dozen places to crawl through. He had done
so only a few weeks before with Sue in a mad frolic across the Square.
Besides, why should the constable speak to him at all? He knew all
about the hour of closing the New York gates without the policeman
reminding him of it. Had he not sat here every night waiting for that
cattle-boat? He hated the place cordially, yet it was the only spot in
that great city to which he could come and not be molested while he
waited for the barges. He always selected this particular bench because
it was nearest the gate that led to the bronze horse. He loved to look
at its noble contour silhouetted against the sky or illumined by the
street-lamps, and was seldom too tired to be inspired by it. He had
never seen any work in sculpture to be compared to it, and for the
first few days after his arrival, he was never content to end the day's
tramping until he stood beneath it, following its outlines, his heart
swelling with pride at the thought that one of his own nationality and
not a European had created it. He wished that his father, who believed
so in the talent of his countrymen, could see it.
Suddenly, while he was still resenting the familiarity of the
constable, his ears were assailed by the cry of a dog in pain; some
street-rat had kicked him.
Instantly Oliver was on his feet. A small spaniel was running toward
him, followed by half a dozen boys who were pelting him with stones.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account