The Foundations (An Extravagant Play) — John Shaqi
The Foundations (An Extravagant Play)Galsworthy, John
General
The Foundations (An Extravagant Play)
Galsworthy, John
English drama
MRS. L. No, sir. Mary Lemmy. I've seen a-many die, I 'ave; an' not
one grievin'. I often says to meself: [With a little laugh] "Me
dear, when yu go, yu go 'appy. Don' yu never fret about that," I
says. An' so I will; I'll go 'appy.
[She stays quite still a moment, and behind her LEMMY draws one
finger across his face.]
[Smiling] "Yore old fengers'll 'ave a rest. Think o' that!" I says.
"'Twill be a brave change." I can see myself lyin' there an' duin'
nothin'.
[Again a pause, while MRS. LEMMY sees herself doing nothing.]
LEMMY. Tell abaht Jim; old lydy.
MRS. L. My son Jim 'ad a family o' seven in six years. "I don' know
'ow 'tes, Mother," 'e used to say to me; "they just sim to come!"
That was Jim--never knu from day to day what was cumin'. "Therr's
another of 'em dead," 'e used to say, "'tes funny, tu" "Well," I
used to say to 'im; "no wonder, poor little things, livin' in they
model dwellin's. Therr's no air for 'em," I used to say. "Well," 'e
used to say, "what can I du, Mother? Can't afford to live in Park
Lane:" An' 'e take an' went to Ameriky. [Her voice for the first
time is truly doleful] An' never came back. Fine feller. So that's
my four sons--One's dead, an' one's in--That, an' one's in Ameriky,
an' Bob 'ere, poor boy, 'e always was a talker.
[LEMMY, who has re-seated himself in the window and taken up his
fiddle, twangs the strings.]
PRESS. And now a few words about your work, Mrs. Lemmy?
MRS. L. Well, I sews.
PRESS. [Writing] "Sews." Yes?
MRS. L. [Holding up her unfinished pair of trousers] I putt in the
button'oles, I stretches the flies, I lines the crutch, I putt on
this bindin', [She holds up the calico that binds the top] I sews on
the buttons, I press the seams--Tuppence three farthin's the pair.
PRESS. Twopence three farthings a pair! Worse than a penny a line!
MRS. L. In a gude day I gets thru four pairs, but they'm gettin'
plaguey 'ard for my old fengers.
PRESS. [Writing] "A monumental figure, on whose labour is built the
mighty edifice of our industrialism."
LEMMY. I sy--that's good. Yer'll keep that, won't yet?
MRS. L. I finds me own cotton, tuppence three farthin's, and other
expension is a penny three farthin's.
PRESS. And are you an exception, Mrs. Lemmy?
MRS. L. What's that?
LEMMY. Wot price the uvvers, old lydy? Is there a lot of yer sewin'
yer fingers orf at tuppence 'ypenny the pair?
MRS. L. I can't tell yu that. I never sees nothin' in 'ere. I pays
a penny to that little gell to bring me a dozen pair an' fetch 'em
back. Poor little thing, she'm 'ardly strong enough to carry 'em.
Feel! They'm very 'eavy!
PRESS. On the conscience of Society!
LEMMY. I sy put that dahn, won't yer?
PRESS. Have things changed much since the war, Mrs. Lemmy?
MRS. L. Cotton's a lot dearer.
PRESS. All round, I mean.
Public-domain text, read in full here on John Shaqi.
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