Moreover, Dr. Halsted gives regularly each year a review of all
productions relative to the non-Euclidean geometry, and he has about him
a public deeply interested in his work. He has initiated this public
into the ideas of Hilbert, and he has even written an elementary
treatise on 'Rational Geometry,' based on the principles of the renowned
German savant.
To introduce this principle into teaching is surely this time to burn
all bridges of reliance upon sensory intuition, and this is, I confess,
a boldness which seems to me almost rashness.
The American public is therefore much better prepared than has been
thought for investigating the origin of the notion of space.
Moreover, to analyze this concept is not to sacrifice reality to I know
not what phantom. The geometric language is after all only a language.
Space is only a word that we have believed a thing. What is the origin
of this word and of other words also? What things do they hide? To ask
this is permissible; to forbid it would be, on the contrary, to be a
dupe of words; it would be to adore a metaphysical idol, like savage
peoples who prostrate themselves before a statue of wood without daring
to take a look at what is within.
In the study of nature, the contrast between the Anglo-Saxon spirit and
the Latin spirit is still greater.
The Latins seek in general to put their thought in mathematical form;
the English prefer to express it by a material representation.
Both doubtless rely only on experience for knowing the world; when they
happen to go beyond this, they consider their foreknowledge as only
provisional, and they hasten to ask its definitive confirmation from
nature herself.
But experience is not all, and the savant is not passive; he does not
wait for the truth to come and find him, or for a chance meeting to
bring him face to face with it. He must go to meet it, and it is for his
thinking to reveal to him the way leading thither. For that there is
need of an instrument; well, just there begins the difference--the
instrument the Latins ordinarily choose is not that preferred by the
Anglo-Saxons.
For a Latin, truth can be expressed only by equations; it must obey laws
simple, logical, symmetric and fitted to satisfy minds in love with
mathematical elegance.
The Anglo-Saxon to depict a phenomenon will first be engrossed in making
a _model_, and he will make it with common materials, such as our crude,
unaided senses show us them. He also makes a hypothesis, he assumes
implicitly that nature, in her finest elements, is the same as in the
complicated aggregates which alone are within the reach of our senses.
He concludes from the body to the atom.
Both therefore make hypotheses, and this indeed is necessary, since no
scientist has ever been able to get on without them. The essential thing
is never to make them unconsciously.
Public-domain text, read in full here on John Shaqi.
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