Criminals -- Fiction; Detective and mystery stories
I recognized him at once. It was Gastrell, whom I had met at the Hotel
Metropol in Geneva. As he stood there before me, with his back half
turned to the light of the big bay window, there could be no mistaking
him. Again I was struck by his remarkable appearance—the determined,
clean-cut features, the straight, short nose, the broad forehead, the
square-shaped chin denoting rigid strength of purpose. Once more I
noticed the cleft in his chin—it was quite deep. His thick hair was
dark, with a slight kink in it behind the ears. But perhaps the
strangest, most arresting thing about Gastrell's face was his
eyes—daring eyes of a bright, light blue, such as one sees in some
Canadians, the bold, almost hard eyes of a man who is accustomed to
gazing across far distances of sunlit snow, who habitually looks up into
vast, pale blue skies—one might have imagined that his eyes had caught
their shade. He wore upon his watch-chain a small gold medallion, a
trinket which had attracted my attention before. It was about the size
of a sovereign, and embossed upon it were several heads of chubby
cupids—four sweet little faces.
At first glance at him a woman might have said mentally, "What nice
eyes!" At the second, she would probably have noticed a strange
thing—the eyes were quite opaque; they seemed to stare rather than look
at you, there was no depth whatever in them. Certainly there was no
guessing at Gastrell's character from his eyes—you could take it or
leave it, as you pleased, for the eyes gave you no help. The glance was
perfectly direct, bright and piercing, but there could be absolutely no
telling if the man when speaking were lying to you or not. The hard,
blue eyes never changed, never deepened, nor was there any emotion
in them.
To sum up, the effect the man's personality produced was that of an
extraordinarily strong character carving its way undaunted through every
obstacle to its purpose; but whether the trend of that character were
likely to lean to the side of truth and goodness, or to that of lying
and villainy, there was no guessing.
All these points I observed again—I say "again," for they had struck me
forcibly the first time I had met him in Geneva—as he stood there
facing me, his gaze riveted on mine. We must have stayed thus staring at
each other for several moments before anybody spoke. Then it was Lord
Easterton who broke the silence.
"Well?" he asked.
I glanced at him quickly, uncertain which of us he had addressed. After
some instants' pause he repeated:
"Well?"
"Are you speaking to me?" I asked quickly.
"Of course," he replied, almost sharply. "You don't seem to know each
other after all."
"Oh, but yes," I exclaimed, and I turned quickly to Gastrell,
instinctively extending my hand to him as I did so. "We met in Geneva."
He still stood looking at me, motionless. Then gradually an expression,
partly of surprise, partly of amusement, crept into his eyes.
Public-domain text, read in full here on John Shaqi.
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