New York (N.Y.) -- Social life and customs -- Fiction; Short stories, American
“There is a type of ‘Man About Town’ in New York,” he answered. “The
term is quite familiar to me, but I don’t think I was ever called upon
to define the character before. It would be difficult to point you out
an exact specimen. I would say, offhand, that it is a man who had a
hopeless case of the peculiar New York disease of wanting to see and
know. At 6 o’clock each day life begins with him. He follows rigidly
the conventions of dress and manners; but in the business of poking his
nose into places where he does not belong he could give pointers to a
civet cat or a jackdaw. He is the man who has chased Bohemia about the
town from rathskeller to roof garden and from Hester street to Harlem
until you can’t find a place in the city where they don’t cut their
spaghetti with a knife. Your ‘Man About Town’ has done that. He is
always on the scent of something new. He is curiosity, impudence and
omnipresence. Hansoms were made for him, and gold-banded cigars; and
the curse of music at dinner. There are not so many of him; but his
minority report is adopted everywhere.
“I’m glad you brought up the subject; I’ve felt the influence of this
nocturnal blight upon our city, but I never thought to analyse it
before. I can see now that your ‘Man About Town’ should have been
classified long ago. In his wake spring up wine agents and cloak
models; and the orchestra plays ‘Let’s All Go Up to Maud’s’ for him, by
request, instead of Händel. He makes his rounds every evening; while
you and I see the elephant once a week. When the cigar store is raided,
he winks at the officer, familiar with his ground, and walks away
immune, while you and I search among the Presidents for names, and
among the stars for addresses to give the desk sergeant.”
My friend, the critic, paused to acquire breath for fresh eloquence. I
seized my advantage.
“You have classified him,” I cried with joy. “You have painted his
portrait in the gallery of city types. But I must meet one face to
face. I must study the Man About Town at first hand. Where shall I find
him? How shall I know him?”
Without seeming to hear me, the critic went on. And his cab-driver was
waiting for his fare, too.
“He is the sublimated essence of Butt-in; the refined, intrinsic
extract of Rubber; the concentrated, purified, irrefutable, unavoidable
spirit of Curiosity and Inquisitiveness. A new sensation is the breath
in his nostrils; when his experience is exhausted he explores new
fields with the indefatigability of a—”
“Excuse me,” I interrupted, “but can you produce one of this type? It
is a new thing to me. I must study it. I will search the town over
until I find one. Its habitat must be here on Broadway.”
“I am about to dine here,” said my friend. “Come inside, and if there
is a Man About Town present I will point him out to you. I know most of
the regular patrons here.”
Public-domain text, read in full here on John Shaqi.
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