"Here Mose, quick! Get us some torches," Radnor called. "We'll fetch
that ha'nt up here to answer for himself.--It's old Aunt Sukie," he
added to me, nodding toward the woman on the ground whose spasms by this
time were growing somewhat quieter. "She lives on the next plantation
and was probably taking a cross cut through the laurel path that leads
by the cabins. She's almost a hundred and is pretty nearly a witch
herself."
Mose shambled up with some torches--pine knots dipped in tar, such as
they used for hunting 'possums at night, and he and I and Radnor set out
for the cabins. I noticed that none of the other negroes volunteered to
assist; I also noticed that Mose went on ahead with a low whining cry
which sent chills chasing up and down my back.
"What's the matter with him?" I gasped, more intent on the negro than
the ghost we had come to search.
"That's the way he always hunts," Radnor laughed. "There are a good many
things about Mose that you will have to get used to."
We searched the whole region of the abandoned quarters with a
considerable degree of thoroughness. Three or four of the larger cabins
were used as store houses for fodder; the rest were empty. We poked into
all of them, but found nothing more terrifying than a few bats and owls.
Though I did not give much consideration to the fact at the time, I
later remembered that there was one of the cabins which we didn't
explore as thoroughly as the rest. Mose dropped his torch as we
entered, and in the confusion of relighting it, the interior was
somewhat slighted. In any case we unearthed no ha'nt that night; and we
finally gave up the search and turned back to the house.
"I suspect," Radnor laughed, "that if the truth were known, old Aunt
Sukie's beckoning ha'nt would turn out to be nothing more alarming than
a white cow waving her tail."
"It's rather suggestive coming on top of the chicken episode," I
observed.
"Oh, this won't be the end! We'll have ha'nt served for breakfast,
dinner and supper during the rest of your stay. When the niggers begin
to see things they keep it up."
When I went upstairs that night, Rad followed close on my heels to see
that I had everything I needed. The room was a huge four windowed
affair, furnished with a canopied bed and a mahogany wardrobe as big as
a small house. The nights still being chilly, a roaring wood fire had
been built, adding a note of cheerfulness to an otherwise sombre
apartment.
"This was Nan's room," he said suddenly.
"Nan's room!" I echoed glancing about the shadowy interior. "Rather
heavy for a girl."
"It is a trifle severe," he agreed, "but I dare say it was different
when she was here. Her things are all packed away in the attic." He
picked up a candle and held it so that it lighted the face of a portrait
over the mantle. "That's Nan--painted when she was eighteen."
"Yes," I nodded. "I recognized her the moment I saw it. She was like
that when I knew her."
Public-domain text, read in full here on John Shaqi.
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