Sussex (England) -- Fiction; World War, 1914-1918 -- England -- Fiction
“I can’t help that—we must git your clothes back.”
“But they were only old cloathes.”
“Adone-do, Harry. We can’t afford to lose so much as an old shirt.
Oh, you’re vrothering me to madness wud your doings.”
He began to scrawl in his slow, round hand. He was no letter-writer,
and found it difficult to put his request into words. He also wanted
to plead for Harry, to explain a little of his own hard case, and ask
that the matter might be allowed to stop at the scare and scolding
Harry had received, for “I am joining up to-morrow, and it is very
hard to leave them all like this, from your obedient servant Thomas
Beatup.”
Harry watched him, bobbing over the sheet, every now and then passing
his tongue over his lips in the agony of composition. Then suddenly
he slid towards him across the table and put his arm round his neck.
Tom shook him off.
“Git away.”
“I’m sorry I’m such a hemmed curse to you, Tom.”
“You’re a hemmed curse indeed. I ask you to be a man in my plaace,
and you’re no more than a tedious liddle child.”
A sudden sense of the hopelessness of it all came over him—the net in
which he struggled, in which he was being dragged away from those he
could help and love. He dropped his head in his hands. Harry stood
for a moment awestruck beside him, a grotesque figure with Tom’s coat
hanging over his bare thighs. Then he turned and crept away to bed.
The clock struck nine, and Tom lifted his head. He was utterly weary,
but he knew that if he did not take his letter over to Bucksteep
to-night he would not have time in the morning. There was no good
leaving it to other hands to deliver, for he felt that his mother
would resent its humble tone, and perhaps send instead an angry
demand which, by rousing Mus’ Archie’s rage, might end by landing
Harry before the Senlac Bench. So he put on his father’s driving
coat, which hung in the passage and smelt of manure and stale
spirits, and let himself out into the soft, throbbing darkness, lit
only by a few dim stars of the Plough.
12
Bucksteep Manor was the smaller kind of country-house, smuggled away
from the cross-roads in a larch plantation, with a tennis lawn at the
back, and a more open view swinging over a copsed valley to Rushlake
Green. It had once been a farmhouse, but a wing had been added in
modern style, and inside, the low raftering had been swept away,
so that when Tom stood in the dimly-lighted hall, which had once
been the kitchen, he could look up to a ceiling dizzily high to his
sag-roofed experience.
Public-domain text, read in full here on John Shaqi.
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