The evening was very still. Eddies and swells of golden, watery light drifted over the hills round Dallington. In the north the sharp, wooded hill where Brightling stood was like a golden cone, and the kiln-shaped obelisk by Lobden’s House which marked the highest point of South-east Sussex was also burnished to rare metal. The scent of water, stagnant on fallen leaves, crept from the little woods where the primroses and windflowers smothered old stumps in their pale froth, or spattered with milky stars the young moss of the year. At Woods Corner the smoke of a turf fire was rising from the inn, and there was a smell of beer, too, as the minister passed the door, and turned down the East Road towards Slivericks. The fire and the beer both tempted him, for there was neither at the Horselunges, the tumble-down old cottage where he lodged in Sunday Street. But the former he looked on as an unmanly weakness, the latter as a snare of the devil, so he swung on, humming a metrical psalm. About a hundred yards below Woods Corner, just where the road, washed stony by the rains, runs under the webbing of Slivericks oaks, he turned into a field, across which a footpath led a pale stripe towards Sunday Street. From the top of the field he could look down over the whole sweep of country within the Four Roads, to the marshes and the sea, or rather the saffron and purple mists where the marshes and the sea lay together in enchantment. The yellow light wavered up to him from the sunset, over the woods of Forges and Harebeating; there was a sob of wind from Stilliands Tower, and a gleam of half-hidden ponds in the spinneys by Puddledock. Mr. Sumption stood still and listened. The air was full of sunset sounds—the lowing of cows came up with a mingled cuckoo’s cry, there was a tinkle of water behind him in the ditch, and the soft swish of wind in the trees and in the hedge, nodding ashes and sallows and oaks to and fro against the light-filled sky. On the wind was a mutter and pulse, a throb which seemed to be in it yet not of it, like the beating of a great heart, strangely remote from all the gleam and softness of spring sunset, pale fluttering cuckoo-flowers, and leaf-sweet pools of rain. A blackbird called from the copse by Cowlease Farm, and his song was as the voice of sunset and April and pooled rain ... still the great distant heart throbbed on, its dim beats pulsing on the wind, aching on the sunset, over the fields of peaceful England dropping asleep in April. The Reverend Mr. Sumption cracked his fingers loudly once or twice: “You hear ’em pretty plain to-night ... the guns in France.” 2 He walked slowly on towards the stile, then stopped again and pulled a letter out of his pocket. It was a dirty letter, written on cheap note-paper with a smudged in indelible pencil.