The Fourteenth of July, and Danton: Two Plays of the French RevolutionRolland, Romain
History
The Fourteenth of July, and Danton: Two Plays of the French Revolution
Rolland, Romain
France -- History -- Revolution, 1789-1799 -- Drama
THE CROWD. He's right.--Bravo!--No, he isn't!--She insulted
us!--She's got to apologize! On her knees, the aristocrat!--Make
her cry Down with the Queen!
LA CONTAT. I won't cry anything. [_To_ DESMOULINS.] Help me to
get up here. [_She stands on a table_.] If you bully me any more
I'll cry Down with Necker! [_Cries from the Crowd._] I'm not
afraid of you. Do you think you can frighten me because you're a
mob, and your hundred mouths are yapping at me? I have only one,
but I can make myself heard. I'm used to talking to the people.
I face you every night: I am Mademoiselle Contat.
THE CROWD. Contat of the Théâtre-Français!--The
Théâtre-Français!--Oh, let's see her!--Silence!
LA CONTAT. So you don't like the Queen? Do you want her sent
away? Would you like to exile every pretty woman from France?
You have only to say the word: we'll pack up and go. See what
will happen without us. You really make me laugh, calling me an
aristocrat! I'm the daughter of a herring-dealer, who kept shop
just under the Châtelet. I work like the rest of you. I am for
Necker just as you are. I'm for the Assembly, but I don't like
to be bullied, and I really think if you took it into your
heads to try to make me cry Long live Comedy, I would cry Down
with Moliere! You may think whatever you like: there's no law
against stupidity, but then there's no law against those who
still have a little common sense. I like the Queen, and I am not
afraid to say so.
A STUDENT. Of course: they both have the Comte d'Artois for a
lover!
TWO WORKINGMEN. What a lie!--She can certainly talk!
DESMOULINS. Citizens, we cannot ask a queen to speak against
royalty. Here is the true queen! The others are make-believe
royalty, whose only function is to bear dauphins. Once the
little one is born, they have nothing else to do. They live at
our expense, and they are costly luxuries. It would be best to
send this Austrian fowl back to her coop, from which she was
brought at great cost--as if we lacked women in France to bear
children! But the queens of the theater! Ah, they are intended
to give happiness to the people. Every hour of their life is
devoted to our service. Every bit of them is devoted to our
pleasure; they belong to us, they are our national property. By
Venus of the Beautiful Cheeks, let us defend her, and all shout:
Long live the Queen, the true Queen, La Contat! [_Laughter and
applause_.]
THE CROWD. Long live Queen Contat!
LA CONTAT. Thank you. [_To_ DESMOULINS.] Give me your arm;
you're nicer than the others.--Have you feasted your eyes
enough? Very well, then let me by. If you want to see me again,
you know the way to the Theater.--What is your name?
DESMOULINS. Camille Desmoulins.--How imprudent of you! I told
you--weren't you afraid?
LA CONTAT. Of what?
DESMOULINS. They nearly killed you.
LA CONTAT. The idea! They shout, of course, but they never do
anything.
DESMOULINS. You are blind. They are right who say that to
despise danger is merely to be unaware of it.
Public-domain text, read in full here on John Shaqi.
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