The Fourteenth of July, and Danton: Two Plays of the French Revolution — John Shaqi
The Fourteenth of July, and Danton: Two Plays of the French RevolutionRolland, Romain
History
The Fourteenth of July, and Danton: Two Plays of the French Revolution
Rolland, Romain
France -- History -- Revolution, 1789-1799 -- Drama
LA CONTAT. His cheeks are running with tears! How funny he is!
THE CROWD [_half laughing, the other half applauding_] There's
a real friend of the people! Long live Marat! [_They surround
him, put him on their shoulders and, in spite of his struggles,
carry him about._] HULIN [_catching sight of a little girl who
is looking at_ MARAT, _her eyes full of tears_]. "What's the
trouble, little one? You're crying, too? [_The Little Girl keeps
her eyes fixed on_ MARAT, _whose bearers have now allowed him,
to alight. She runs to him._]
LITTLE JULIE [_to_ MARAT, _her hands clasped_]. Don't cry! Don't
cry!
MARAT [_looking at her_]. What is it, little one?
JULIE. Don't be unhappy, please! We'll be better, I promise, we
won't be cowards any more. We won't lie; we'll be good, I swear!
[_The Crowd laughs._ HULIN _motions those near him to be silent,
and not interrupt the Little Girl._ MARAT, _who is seated,
assumes a different expression as he listens to her. His face
brightens, and he looks tenderly at the child, and takes her
hands in his._]
MARAT. Why do you cry?
JULIE. Because you cry.
MARAT. Do you know me?
JULIE. When I was sick, you took care of me.
MARAT [_draws her tenderly toward him, and looks into her
eyes, smoothing her hair back from her face._] Yes, your name
is Julie. Your mother is a washerwoman. You had measles last
winter. You were afraid. You cried as you lay in your little
bed, because you didn't want to die. [_She turns her head away.
He takes the child's head and presses it to his breast as he
smiles._] Don't be ashamed. So, you understood me, eh? You are
with me? Do you know what I should like?
JULIE. Yes, and I want it, too--[_The rest of her sentence is
lost, as she hesitates._]
MARAT. What?
JULIE [_raising her head and speaking with an air of conviction
that causes the bystanders to smile_]. Liberty.
MARAT. What would you do with it?
JULIE. Give it.
MARAT. To whom?
JULIE. To the poor people who are in prison.
MARAT. Where?
JULIE. There--in the big prison. They're alone all the time,
and people forget them. [_The attitude of the Crowd changes.
It has become serious; some frown and do not look at their
neighbors. They stare at the ground, and appear to be speaking
to themselves._]
MARAT. How do you know that, little one?
JULIE. I know--I've been told. I often think about them, at
night.
MARAT [_smoothing her hair_]. But you must sleep at night.
JULIE [_after a few moments' pause, takes_ MARAT'S _hands and
says with passion_], We will free them, won't we?
MARAT. But how?
JULIE. Go there all together.
THE CROWD [_laughing_]. Ha! It's so easy! [_The Little Girl
raises her eyes, and sees the circle of curious onlookers
staring at her. She is frightened and hides her head in her arm,
which rests on_ HULIN'S _table._]
LA CONTAT. Isn't she dear!
Public-domain text, read in full here on John Shaqi.
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