In support of the true opinion he proceeded by the negative way of
showing the self-contradictions in the ideas of change and motion.
It is doubtful if his criticism, save in minor points, has ever been
successfully refuted. To express his doctrine in the ponderous modern
way we must make the statement that motion is phenomenal, not real.
Let us represent his doctrine.
[Illustration: Fig. 13.]
Imagine a sheet of still water into which a slanting stick is being
lowered with a motion vertically downwards. Let 1, 2, 3 (Fig. 13),
be three consecutive positions of the stick. A, B, C, will be three
consecutive positions of the meeting of the stick, with the surface of
the water. As the stick passes down, the meeting will move from A on to
B and C.
Suppose now all the water to be removed except a film. At the meeting
of the film and the stick there will be an interruption of the film.
If we suppose the film to have a property, like that of a soap bubble,
of closing up round any penetrating object, then as the stick goes
vertically downwards the interruption in the film will move on.
[Illustration: Fig. 14.]
If we pass a spiral through the film the intersection will give a point
moving in a circle shown by the dotted lines in the figure. Suppose
now the spiral to be still and the film to move vertically upwards,
the whole spiral will be represented in the film of the consecutive
positions of the point of intersection. In the film the permanent
existence of the spiral is experienced as a time series—the record
of traversing the spiral is a point moving in a circle. If now we
suppose a consciousness connected with the film in such a way that the
intersection of the spiral with the film gives rise to a conscious
experience, we see that we shall have in the film a point moving in a
circle, conscious of its motion, knowing nothing of that real spiral
the record of the successive intersections of which by the film is the
motion of the point.
It is easy to imagine complicated structures of the nature of the
spiral, structures consisting of filaments, and to suppose also that
these structures are distinguishable from each other at every section.
If we consider the intersections of these filaments with the film as it
passes to be the atoms constituting a filmar universe, we shall have in
the film a world of apparent motion; we shall have bodies corresponding
to the filamentary structure, and the positions of these structures
with regard to one another will give rise to bodies in the film moving
amongst one another. This mutual motion is apparent merely. The reality
is of permanent structures stationary, and all the relative motions
accounted for by one steady movement of the film as a whole.
Public-domain text, read in full here on John Shaqi.
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