In entering on this enquiry we must make a plan of procedure. The
method which I shall adopt is to trace out the steps of reasoning by
which a being confined to movement in a two-dimensional world could
arrive at a conception of our turning and rotation, and then to apply
an analogous process to the consideration of the higher movements. The
plane being must be imagined as no abstract figure, but as a real body
possessing all three dimensions. His limitation to a plane must be the
result of physical conditions.
We will therefore think of him as of a figure cut out of paper placed
on a smooth plane. Sliding over this plane, and coming into contact
with other figures equally thin as he in the third dimension, he will
apprehend them only by their edges. To him they will be completely
bounded by lines. A “solid” body will be to him a two-dimensional
extent, the interior of which can only be reached by penetrating
through the bounding lines.
Now such a plane being can think of our three-dimensional existence in
two ways.
First, he can think of it as a series of sections, each like the solid
he knows of extending in a direction unknown to him, which stretches
transverse to his tangible universe, which lies in a direction at right
angles to every motion which he made.
Secondly, relinquishing the attempt to think of the three-dimensional
solid body in its entirety he can regard it as consisting of a
number of plane sections, each of them in itself exactly like
the two-dimensional bodies he knows, but extending away from his
two-dimensional space.
A square lying in his space he regards as a solid bounded by four
lines, each of which lies in his space.
A square standing at right angles to his plane appears to him as simply
a line in his plane, for all of it except the line stretches in the
third dimension.
He can think of a three-dimensional body as consisting of a number of
such sections, each of which starts from a line in his space.
Now, since in his world he can make any drawing or model which involves
only two dimensions, he can represent each such upright section as it
actually is, and can represent a turning from a known into the unknown
dimension as a turning from one to another of his known dimensions.
To see the whole he must relinquish part of that which he has, and take
the whole portion by portion.
Consider now a plane being in front of a square, fig. 34. The square
can turn about any point in the plane—say the point A. But it cannot
turn about a line, as AB. For, in order to turn about the line AB,
the square must leave the plane and move in the third dimension. This
motion is out of his range of observation, and is therefore, except for
a process of reasoning, inconceivable to him.
[Illustration: Fig. 34.]
Rotation will therefore be to him rotation about a point. Rotation
about a line will be inconceivable to him.
Public-domain text, read in full here on John Shaqi.
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