If now we suppose the cube to be an inch in each dimension, and to pass
across, from right to left, through the plane, then we should explain
the appearances presented to the plane being by saying: First of all
you have the face of a cube, this lasts only a moment; then you have a
figure of the same shape but differently coloured. This, which appears
not to move to you in any direction which you know of, is really moving
transverse to your plane world. Its appearance is unaltered, but each
moment it is something different—a section further on, in the white,
the unknown dimension. Finally, at the end of the minute, a face comes
in exactly like the face you first saw. This finishes up the cube—it is
the further face in the unknown dimension.
The white line, which extends in length just like the red or the
yellow, you do not see as extensive; you apprehend it simply as an
enduring white point. The null point, under the condition of movement
of the cube, vanishes in a moment, the lasting white point is really
your apprehension of a white line, running in the unknown dimension.
In the same way the red line of the face by which the cube is first in
contact with the plane lasts only a moment, it is succeeded by the pink
line, and this pink line lasts for the inside of a minute. This lasting
pink line in your apprehension of a surface, which extends in two
dimensions just like the orange surface extends, as you know it, when
the cube is at rest.
But the plane creature might answer, “This orange object is substance,
solid substance, bounded completely and on every side.”
Here, of course, the difficulty comes in. His solid is our surface—his
notion of a solid is our notion of an abstract surface with no
thickness at all.
We should have to explain to him that, from every point of what he
called a solid, a new dimension runs away. From every point a line
can be drawn in a direction unknown to him, and there is a solidity
of a kind greater than that which he knows. This solidity can only
be realised by him by his supposing an unknown direction, by motion
in which what he conceives to be solid matter instantly disappears.
The higher solid, however, which extends in this dimension as well
as in those which he knows, lasts when a motion of that kind takes
place, different sections of it come consecutively in the plane
of his apprehension, and take the place of the solid which he at
first conceives to be all. Thus, the higher solid—our solid in
contradistinction to his area solid, his two-dimensional solid, must
be conceived by him as something which has duration in it, under
circumstances in which his matter disappears out of his world.
We may put the matter thus, using the conception of motion.
Public-domain text, read in full here on John Shaqi.
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