England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Murder -- Fiction
On the same staircase and the same floor was a flat exactly
corresponding in every particular to his own except that the windows
looked out towards the opposite pole. This flat, into which we will not
penetrate, was occupied by a young lady, who lived in it, just as
Leonard lived in his, with a man and his wife to look after her. People
may be neighbours in a “Mansion” and yet not know each other. It is not
likely that Leonard would have made the acquaintance of Miss Constance
Ambry but for the fortunate circumstance that he belonged to the same
club as well as the same collection of flats; that he was introduced to
her at the club; that he met her at dinner day after day; that he
speedily discovered the fact that they were neighbours; that they became
friends; that they often dined together at the club, and that they
frequently walked home together.
It will be understood, therefore, that Miss Constance Ambry would have
been called, a few years ago, an emancipated young woman. The word has
already become belated; in a year or two it will be obsolete.
Emancipation has ceased to carry any reproach or to excite any
astonishment. Many girls and unmarried women live alone in flats and
mansions and similar places; they have their latch-key; they marvel that
there could have been formerly a time when the latch-key was withheld
from girls; they go where they like; they see what they wish to see;
they meet people they wish to meet. The emancipated woman twenty years
ago thought it necessary, in order to prove her superiority of
intellect, to become at least an atheist. That was part of the
situation; other prancings and curvettings there were; now she has
settled down, the question of comparative intellect being no longer
discussed, and goes on, in many respects, almost as if she were still in
the ancient House of Bondage. In this case there were strong reasons,
comfortably running into a good many hundreds a year, why Constance
Ambry should dare to go her own way and live at her own will. She began
her independent career by three years at Girton. During her studentship
she distinguished herself especially by writing critical essays, in
which it was remarked that the passion of Love, as depicted and dwelt
upon by poets, was entirely ignored by the critic; not so much, her
friends explained, from maidenly reserve, as from a complete inability
to sympathize even with the woman’s point of view--which, indeed, women
who write poetry and love-songs have always done their utmost to
conceal, or mendaciously to represent in the same terms and under the
same form as the masculine passion. On leaving Girton she accepted a
post as Lecturer on English Literature in a women’s college. It was a
poorly-paid office, and hitherto it had been difficult to find a good
lecturer to keep it. Constance could afford not only to take it, but
also to make it the sole object of her work and thoughts. One is pleased
Public-domain text, read in full here on John Shaqi.
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