“Mr. George Crediton, Agent.” There are many kinds of agents. Land, houses, property of all kinds, may be managed by an agent; there are agents for taking out patents--several of these run offices near the Patent Office; there are literary agents--but Chancery Lane is not Parnassus; there are agents for the creation and the dissolution of partnership; there are theatrical agents--but what has law land to do with sock and buskin? And what kind of Agent was Mr. George Crediton? Mr. George Crediton, Agent, sat in his inner office. The room was furnished solidly with a view to work. The large and ponderous table, covered with papers so dear to the solicitor, was not to be seen here; in its place was an ordinary study table. This was turned at an angle to the wall and window. There was a warm and handsome carpet, a sheepskin under the table, a wooden chair for the Agent, and two others for his visitors. A typewriter stood on the table. The walls were covered with books--not law books, but a miscellaneous collection. The Agent was apparently a man who revelled in light reading; for, in fact, all the modern humorists were there--those from America as well as those of our own production. There was also a collection of the English poets, and some, but not many, of France and Germany. On a table before him stood half a dozen bound folios with the titles on the back--“Reference A--E,” and so on. In one corner, stood an open safe, to which apparently belonged another folio, entitled “Ledger.” The Agent, engaged upon his work, evidently endeavoured to present an appearance of the gravest responsibility. His face was decorated by a pair of small whiskers cut straight over and set back; the chin and lips were smooth-shaven. The model set before himself was the conventional face of the barrister. Unfortunately, the attempt was not successful, for the face was not in the least like that conventional type. It had no severity, it had no keenness; it was not set or grave or dignified. It might have been the face of a light comedian. In figure the man was over six feet high and curiously thin, with a slightly aquiline nose and mobile, sensitive lips. He began his morning’s work by opening his letters; there were only two or three. He referred to his ledger and consulted certain entries; he made a few pencil notes. Then he took down from one shelf Sam Slick, Artemus Ward, and Mark Twain, and from another a collection of Burnand’s works and one or two of Frederick Anstey’s. He turned over the pages, and began to make brief extracts and more notes. Perhaps, then, a bystander might have thought he was about to write a paper on the comparative characteristics of English and American humour.