The Freaks of MayfairBenson, E. F. (Edward Frederic)
General
The Freaks of Mayfair
Benson, E. F. (Edward Frederic)
England -- Social life and customs -- 20th century -- Fiction; Humorous stories, English; Short stories, English
This fortunate gentleman began life as a boy who swept out a public
lavatory in New York, and this accounts for his turning his attention to
hardware. When he had made this colossal fortune he set about spending
it, though he had no chance of spending it as quickly as it came in, and
with a view to this bought a large chocolate-coloured house in Fifth
Avenue, a cottage at Newport, an immense steam-yacht, a complete train
in which to go on his journeys, and ordered a few dozen of Raphael’s
pictures and some Gobelin tapestry. He was never quite certain whether
Gobelin had painted the pictures and the firm of Raphael the tapestry,
but that did not matter, since he had them both. He then expected his
wife to get him into the very best New York society, and enter the
charmed circle of the Four Hundred. She had been his typewriter, and in
a fit of moral weakness, of which he had never repented, since she
suited him extremely well, he had married her. But whether it was that
the Four Hundred had seen too much of Mr. Whitehand’s name on their
slop-basins, or whether he had not bought sufficient Raphaels, they one
and all turned their ivory shoulders on him and his wife, and banged the
door in their faces. As Mrs. Whitehand had just as keen a desire to
shine among the stars of the amazing city as her husband, she was
naturally much annoyed at her inability to climb into the firmament, the
more so because she was convinced that with practice she could become a
first-rate climber. She had the indomitable will and the absolute
imperviousness to rebuffs that are the birthright of that agile race,
and felt the inward sense of her royalty in this respect, as might some
Princess over whom a wizard had cast a spell. But somehow, here in New
York, she got no practice in climbing, because she could make no
beginning whatever. She could only stand on tiptoe, which is a very
different matter. And when at the end of her second year of standing on
tiptoe, Nittie Vandercrump, the acknowledged queen of Newport, cut her
dead for the seventeenth time, and with her famous scream asked her
friend, Nancy Costersnatch, who all those strange faces belonged to,
Mrs. Whitehand began to think that New York was impregnable by direct
assault. But in the manner of Benjamin Disraeli, she vowed that some day
she would attract attention in that assembly, and with Nittie
Vandercrump’s scream ringing in her ears, sat down to think.
Public-domain text, read in full here on John Shaqi.
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