England -- Social life and customs -- 19th century -- Fiction; English fiction; Families -- England -- Fiction
And down that corridor they went. Though she did not turn, she knew well
that those eyes were following, still riving something from her; and she
heaved a sigh of real relief when she was round a corner. Through barred
windows that had no glass she could see another court, where men in the
same drab-gray clothes printed with arrows were walking one behind the
other, making a sort of moving human hieroglyphic in the centre of the
concrete floor. Two warders with swords stood just outside its edge.
Some of those walking had their heads up, their chests expanded, some
slouched along with heads almost resting on their chests; but most had
their eyes fixed on the back of the neck of the man in front; and there
was no sound save the tramp of feet.
Nedda put her hand to her throat. The warder beside her said in a chatty
voice:
“That's where the 'ards takes their exercise, miss. You want to see a
man called Tryst, waitin' trial, I think. We've had a woman here to see
him, and a lady in blue, once or twice.”
“My aunt.”
“Ah! just so. Laborer, I think—case of arson. Funny thing; never yet
found a farm-laborer that took to prison well.”
Nedda shivered. The words sounded ominous. Then a little flame lit
itself within her.
“Does anybody ever 'take to' prison?”
The warder uttered a sound between a grunt and chuckle.
“There's some has a better time here than they have out, any day. No
doubt about it—they're well fed here.”
Her aunt's words came suddenly into Nedda's mind: 'Liberty's a glorious
feast!' But she did not speak them.
“Yes,” the warder proceeded, “some o' them we get look as if they didn't
have a square meal outside from one year's end to the other. If you'll
just wait a minute, miss, I'll fetch the man down to you.”
In a bare room with distempered walls, and bars to a window out of which
she could see nothing but a high brick wall, Nedda waited. So rapid
is the adjustment of the human mind, so quick the blunting of human
sensation, that she had already not quite the passion of pitiful feeling
which had stormed her standing under that archway. A kind of numbness
gripped her nerves. There were wooden forms in this room, and a
blackboard, on which two rows of figures had been set one beneath the
other, but not yet added up.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account