England -- Social life and customs -- 19th century -- Fiction; English fiction; Families -- England -- Fiction
“Oh, don't despair! Even if they don't acquit you, it'll soon be over.
Don't despair!” And she stole her hand out and timidly touched his arm.
She felt her heart turning over and over, he looked so sad.
He said in that stumbling, thick voice:
“Thank you kindly. I must get out. I won't stand long of it—not much
longer. I'm not used to it—always been accustomed to the air, an' bein'
about, that's where 'tis. But don't you tell him, miss. You say I'm
goin' along all right. Don't you tell him what I said. 'Tis no use him
frettin' over me. 'Twon' do me no good.”
And Nedda murmured:
“No, no; I won't tell him.”
Then suddenly came the words she had dreaded:
“D'you think they'll let me go, miss?”
“Oh, yes, I think so—I hope so!” But she could not meet his eyes, and
hearing him grit his boot on the floor knew he had not believed her.
He said slowly:
“I never meant to do it when I went out that mornin'. It came on me
sudden, lookin' at the straw.”
Nedda gave a little gasp. Could that man outside hear?
Tryst went on: “If they don't let me go, I won' stand it. 'Tis too much
for a man. I can't sleep, I can't eat, nor nothin'. I won' stand it. It
don' take long to die, if you put your mind to it.”
Feeling quite sick with pity, Nedda got up and stood beside him; and,
moved by an uncontrollable impulse, she lifted one of his great hands
and clasped it in both her own. “Oh, try and be brave and look forward!
You're going to be ever so happy some day.”
He gave her a strange long stare.
“Yes, I'll be happy some day. Don' you never fret about me.”
And Nedda saw that the warder was standing in the doorway.
“Sorry, miss, time's up.”
Without a word Tryst rose and went out.
Nedda was alone again with the little sandy cat. Standing under the
high-barred window she wiped her cheeks, that were all wet. Why, why
must people suffer so? Suffer so slowly, so horribly? What were men made
of that they could go on day after day, year after year, watching others
suffer?
When the warder came back to take her out, she did not trust herself to
speak, or even to look at him. She walked with hands tight clenched, and
eyes fixed on the ground. Outside the prison door she drew a long, long
breath. And suddenly her eyes caught the inscription on the corner of a
lane leading down alongside the prison wall—“Love's Walk”!
CHAPTER XXXIII
Public-domain text, read in full here on John Shaqi.
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