England -- Social life and customs -- 19th century -- Fiction; English fiction; Families -- England -- Fiction
Why did this family somehow make him feel inferior? The way she sat
there and looked at him so calmly! Still more the way she narrowed her
eyes and wrinkled her lips, as if rather malicious thoughts were
rising in her soul! Her hair, as is the way of fine, soft, almost
indigo-colored hair, was already showing threads of silver; her whole
face and figure thinner than he had remembered. But a striking woman
still—with wonderful eyes! Her dress—Felix had scanned many a crank
in his day—was not so alarming as it had once seemed to Clara; its
coarse-woven, deep-blue linen and needle-worked yoke were pleasing to
him, and he could hardly take his gaze from the kingfisher-blue band or
fillet that she wore round that silver-threaded black hair.
He began by giving her Clara's note, the wording of which he had himself
dictated:
“DEAR KIRSTEEN:
“Though we have not seen each other for so long, I am sure you will
forgive my writing. It would give us so much pleasure if you and the two
children would come over for a night or two while Felix and his young
folk are staying with us. It is no use, I fear, to ask Tod; but
of course if he would come, too, both Stanley and myself would be
delighted.
“Yours cordially,
“CLARA FREELAND.”
She read it, handed it to Tod, who also read it and handed it to Felix.
Nobody said anything. It was so altogether simple and friendly a note
that Felix felt pleased with it, thinking: 'I expressed that well!'
Then Tod said: “Go ahead, old man! You've got something to say about the
youngsters, haven't you?”
How on earth did he know that? But then Tod HAD a sort of queer
prescience.
“Well,” he brought out with an effort, “don't you think it's a pity to
embroil your young people in village troubles? We've been hearing from
Stanley—”
Kirsteen interrupted in her calm, staccato voice with just the faintest
lisp:
“Stanley would not understand.”
She had put her arm through Tod's, but never removed her eyes from her
brother-in-law's face.
“Possibly,” said Felix, “but you must remember that Stanley, John, and
myself represent ordinary—what shall we say—level-headed opinion.”
“With which we have nothing in common, I'm afraid.”
Felix glanced from her to Tod. The fellow had his head on one side and
seemed listening to something in the distance. And Felix felt a certain
irritation.
“It's all very well,” he said, “but I think you really have got to look
at your children's future from a larger point of view. You don't surely
want them to fly out against things before they've had a chance to see
life for themselves.”
She answered:
“The children know more of life than most young people. They've seen it
close to, they've seen its realities. They know what the tyranny of the
countryside means.”
“Yes, yes,” said Felix, “but youth is youth.”
“They are not too young to know and feel the truth.”
Felix was impressed. How those narrowing eyes shone! What conviction in
that faintly lisping voice!
Public-domain text, read in full here on John Shaqi.
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