England -- Social life and customs -- 19th century -- Fiction; English fiction; Families -- England -- Fiction
As she asked that, he gave a wriggle, and it flashed through her: 'He
must think me an awful enfant terrible!' His face peered round at
her, queer and pale and puffy, with nice, straight eyes; and she added
hastily:
“It isn't a fair question, is it? Only you talked about darkness, and
the only way—so I thought—”
“Quite a fair question. My answer is, of course: 'All three'; but the
point is rather: Does one wish to make even an attempt to define God to
oneself? Frankly, I don't! I'm content to feel that there is in one some
kind of instinct toward perfection that one will still feel, I hope,
when the lights are going out; some kind of honour forbidding one to
let go and give up. That's all I've got; I really don't know that I want
more.”
Nedda clasped her hands.
“I like that,” she said; “only—what is perfection, Mr. Cuthcott?”
Again he emitted that deep little sound.
“Ah!” he repeated, “what is perfection? Awkward, that—isn't it?”
“Is it”—Nedda rushed the words out—“is it always to be sacrificing
yourself, or is it—is it always to be—to be expressing yourself?”
“To some—one; to some—the other; to some—half one, half the other.”
“But which is it to me?”
“Ah! that you've got to find out for yourself. There's a sort of
metronome inside us—wonderful, sell-adjusting little machine; most
delicate bit of mechanism in the world—people call it conscience—that
records the proper beat of our tempos. I guess that's all we have to go
by.”
Nedda said breathlessly:
“Yes; and it's frightfully hard, isn't it?”
“Exactly,” Mr. Cuthcott answered. “That's why people devised religions
and other ways of having the thing done second-hand. We all object to
trouble and responsibility if we can possibly avoid it. Where do you
live?”
“In Hampstead.”
“Your father must be a stand-by, isn't he?”
“Oh, yes; Dad's splendid; only, you see, I AM a good deal younger than
he. There was just one thing I was going to ask you. Are these very
Bigwigs?”
Mr. Cuthcott turned to the room and let his screwed-up glance wander. He
looked just then particularly as if he were going to bite.
“If you take 'em at their own valuation: Yes. If at the country's:
So-so. If at mine: Ha! I know what you'd like to ask: Should I be a
Bigwig in THEIR estimation? Not I! As you knock about, Miss Freeland,
you'll find out one thing—all bigwiggery is founded on: Scratch my back,
and I'll scratch yours. Seriously, these are only tenpenny ones; but the
mischief is, that in the matter of 'the Land,' the men who really are in
earnest are precious scarce. Nothing short of a rising such as there was
in 1832 would make the land question real, even for the moment. Not
that I want to see one—God forbid! Those poor doomed devils were treated
worse than dogs, and would be again.”
Before Nedda could pour out questions about the rising in 1832,
Stanley's voice said:
“Cuthcott, I want to introduce you!”
Her new friend screwed his eyes up tighter and, muttering something, put
out his hand to her.
Public-domain text, read in full here on John Shaqi.
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