The French in the Heart of AmericaFinley, John H. (John Huston)
History
The French in the Heart of America
Finley, John H. (John Huston)
Canada -- History -- To 1763 (New France); French -- North America; Mississippi River Valley -- History
So Cartier's name passes from the pages of history, even if it still
appears again in the records of St. Malo, and he spends the rest of his
days on the rugged little peninsula thrust out from France toward the
west, as it were a hand. A few miles out of St. Malo the Breton tenants of
the Cartier manor, Port Cartier, to-day carry their cauliflower and
carrots to market and seemingly wonder at my curiosity in seeking
Cartier's birthplace rather than Châteaubriand's tomb. It were far fitter
that Cartier instead of Châteaubriand should have been buried out on the
"Plage" beyond the ramparts, exiled for a part of every day by the sea,
for the amphibious life of this master pilot, going in and out of the
harbor with the tide, had added to France a thousand miles of coast and
river, had opened the door of the new world, beyond the banks of the
Baccalaos, to the imaginations of Europe, and unwittingly showed the way
not to Asia, but to a valley with which Asia had nothing to compare.
For a half century after Cartier's home bringing of Roberval--the very
year that De Soto's men quitted in misery the lower valley of the
Mississippi--there is no record of a sail upon the river St. Lawrence.
Hochelaga became a waste, its tenants annihilated or scattered, and
Cartier's fort was all but obliterated. The ambitious symbols of empire
were alternately buried in snows and blistered by heat. France had too
much to think of at home. But still, as Parkman says, "the wandering
Esquimaux saw the Norman and Breton sails hovering around some lonely
headland or anchored in fleets in the harbor of St. John, and still
through salt spray and driving mist, the fishermen dragged up the riches
of the sea." For "codfish must still be had for Lent and fast-days."
Another authority pictures the Breton babies of this period playing with
trinkets made of walrus tusks, and the Norman maidens decked in furs
brought by their brothers from the shores of Anticosti and Labrador.
Meanwhile in Brouage on the Bay of Biscay a boy is born whose spirit,
nourished of the tales of the new world, is to make a permanent colony
where Cartier had found and left a wilderness, and is to write his name
foremost on the "bright roll of forest chivalry"--Samuel Champlain.
Public-domain text, read in full here on John Shaqi.
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