The French Revolution of 1789, as Viewed in the Light of Republican InstitutionsAbbott, John S. C. (John Stevens Cabot)
History
The French Revolution of 1789, as Viewed in the Light of Republican Institutions
Abbott, John S. C. (John Stevens Cabot)
France -- History -- Revolution, 1789-1799
On their arrival at the church, the three orders were seated on benches
placed in the nave. The king and queen occupied thrones beneath a
canopy of purple velvet sprinkled with golden _fleur de lis_. The
princes and princesses, with the great officers of the crown and the
ladies of the palace, occupied conspicuous positions reserved for them
by the side of their majesties. After the most imposing ceremonies, and
music by a majestic choir, "unaccompanied by the din of instruments,"
the Bishop of Nancy preached a sermon enforcing the sentiment that
religion constitutes the prosperity of nations.[96]
It was a noble discourse, replete with political wisdom and Christian
philosophy. The two can never be dissevered. In glowing colors he
depicted the vices of the financial system, and showed the misery
and demoralization which it necessarily brought upon the people.
"And it is," said he, "in the name of a good king, of a just and
feeling monarch, that these miserable exactors exercise their acts
of barbarism." This sentiment, so complimentary to the personal
character of the king, so denunciatory of the institutions of France,
was received with a general burst of applause, notwithstanding the
sacredness of the place, and the etiquette of the French court,
which did not allow applause in the presence of the king even at the
theatre.[97] With these religious ceremonies the day was closed.
The next day, May 5th, the court and all the deputies of the three
orders were assembled in the great hall, to listen to the instructions
of the king. And here, again, the deputies of the people encountered an
insult. A particular door was assigned to them, a back door which they
approached by a corridor, where they were kept crowded together for
several hours, until the king, the court, the nobles, and the clergy
had entered in state at the great door, and had taken their seats. The
back door was then opened, and the deputies of the people, in that
garb which had been imposed upon them as a badge of inferiority, were
permitted to file in and take the benches at the lower end of the hall
which had been left for them.[98]
As they entered, the galleries were filled with spectators. The king
and queen were seated upon a throne gorgeously decorated. The court,
in its highest splendor, nearly encircled the throne. The nobility and
the clergy, with plumes and robes of state, occupied elevated seats.
All eyes were fixed upon the deputies as they entered one by one,
plainly dressed, with slouched hat in hand. Mirabeau, in particular,
attracted universal observation. He was not only by birth and blood an
aristocrat, but he was an aristocrat in taste and manners. The spirit
of revenge had driven him into the ranks of the people. As he strode
along the aisle to his seat, he turned a threatening glance to the
plumed and embroidered noblesse, from whose seats he had been driven,
and a smile, haughty and bitterly menacing, curled his lips.[99]
Public-domain text, read in full here on John Shaqi.
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