It was a strange ending for one of the old Hartford coterie. In the clairvoyance said sometimes to accompany the supreme moment did he realize that if his great epic might not live forever he had at least given form in his day to a dream of which civilization would never let go? Did any intimation come to him that his "Ode to Hasty Pudding," written off-hand at a Savoyard inn, held more real emotion than all the balanced cadences of his monumental work? No doubt his delirious fancies sometimes went back to the old days. Perhaps he saw once more the faces of his old companions of the friendly club, not clouded now with misunderstanding or disapproval. From beyond the frosted panes came intermittently the confused noises of the great retreat, with all their implications of selfish ambition, human suffering and the continual warfare of the world. Was his belief in the final triumph of the fraternity of mankind shaken by that sinister monotone? It is idle to conjecture, but let us hope that he was comforted by a lingering faith, revived in this hour of his extremity from the days of his youth, that he would soon learn as to the truth of his vision and that he would find as well the answers to the other riddles that had puzzled him all his life. _II: The Mystery of the Bell Tavern_ THE investigator of early American fiction will find that a peculiar interest attaches to two novels, both published in the last decade of the eighteenth century, both following Richardson in their epistolary form and both founded on fact. One of these was called "Charlotte Temple, or a Tale of Truth." In the graveyard of Trinity Church in New York, at the head of Wall Street, is a large stone, flush with the ground, bearing the name of the heroine of this now forgotten story which in its day attained an astonishing popularity. The tale is of a young girl who during the War of the American Revolution eloped from an English school with a British officer who abandoned her in New York where she died soon after the birth of a daughter. The tradition runs that more than a century ago the daughter, grown to womanhood, caused her mother's body to be removed to an English churchyard, but the stone still marks the first resting place and when the writer last saw it two wreaths lay upon it.