The Friendly Club and Other Portraits — John Shaqi
The Friendly Club and Other PortraitsParsons, Francis
History
The Friendly Club and Other Portraits
Parsons, Francis
Authors, American; Hartford (Conn.) -- Biography
Yet it would be a mistake to give the impression that all the sentiment
of the time, or all of Mrs. Sigourney's poetry, partook of gloom. Far
from it. Though there was, to be sure, a kind of background of agreeable
melancholy, and such alluring titles of her books as "Whisper to a
Bride" and "Water Drops" (a plea for temperance) were doubtless not
intentionally humorous, Mrs. Sigourney could be playful at times and she
invariably painted the immediate scene in colors of the rose. She was,
in fact, an idealist. She so far idealized her early surroundings in
Norwich, where she was born, that Dr. Dwight, who also knew Norwich in
his boyhood, finds difficulty in identifying places and people. She even
idealized the Park River, sometimes known in her day, as in ours, by a
less euphonious title, alluding to it as "the fair river that girdled
the domain [her home on what is now known as Asylum Hill] from which it
was protected by a mural parapet." Who other than Mrs. Sigourney could
have transformed an ordinary stone wall into a "mural parapet"?
[Illustration: THE SIGOURNEY MANSION]
Speaking of the Park River, Mrs. Sigourney, in the course of describing
the pastoral surroundings of what was then her country home, confesses
that she could never understand why pigs were unmentionable in polite
society--though we think she herself refrained from referring to them
by their ordinary term. "Such treatment," she asserts "is peculiarly
ungrateful in a people who allow this scorned creature to furnish a
large part of their subsistence, to swell the gains of commerce and to
share with the monarch of ocean the honor of lighting the evening lamp."
Here are two other references, quoted by Dr. Dwight, to this rural
"domain" of which the dwelling house, it will be remembered, is still
standing:
"Two fair cows, with coats brushed to a satin sleekness, ruminated at
will, and filled large pails with creamy nectar."
And again, the poultry "munificently gave us their eggs, their offspring
and themselves."
But even this idealized Sabine farm was not exempt from the troubles
that lie in wait for all of us, and we must be chivalrous enough to
admit that Mrs. Sigourney bore the sorrows that came to her with grace
and dignity. Soon after the poetess and her husband took up their
residence here Mr. Sigourney was overtaken by business troubles, which
his wife translates into "obstructions in the course of mercantile
prosperity," and she cheerfully undertook various economies, among
which was "prolonging the existence of garments by transmigration."
Later the family moved to a less pretentious home on High street where
the latter part of the life of Mrs. Sigourney, who survived her husband,
was spent.
Public-domain text, read in full here on John Shaqi.
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