In spite of his rather uncouth appearance this newcomer soon became a favorite among the young people. He was clever--any one could see that. His frequent witty and amusing sayings gathered an arresting emphasis from their contrast with intervals of quietness and even of apparent depression. Perhaps this hint of an underlying seriousness had its especial charm for the young ladies. Remember that in those days Byron was in fashion. But there was something about this young man that attracted also friends of his own sex. "The first time I ever saw him," says a writer in the "Boston Statesman," quoted by Whittier in his memoir of Brainard, "I met him in a gay and fashionable circle. He was pointed out to me as the poet Brainard--a plain, ordinary looking individual, careless in his dress, and apparently without the least claim to the attention of those who value such advantages(?). But there was no person there so much or so flatteringly attended to. . . . He was evidently the idol, not only of the poetry-loving and gentler sex--but also of the young men who were about him. . . ." We can picture young Mr. Brainard as one of the leading figures in that "literary cotery," which Goodrich describes and which was presided over by Mrs. Sigourney. It was in a room adjoining Goodrich's at Ripley's Tavern that Brainard soon took up his abode and the two became fast friends. The discovery was soon made that young Mr. Brainard was by way of being a poet--if, indeed, the fact was not already known. Verses, obviously from his pen, appeared constantly in his newspaper. Indeed some of the paper's readers may have recognized the new editor's hand through their familiarity with the verse he had sometimes written for the "Mirror" before his official connection with that journal. His first contribution to the paper in his new capacity appeared in the issue for February 25, 1822, in which the change of ownership and the new editor were announced. This contribution was in the form of a poem "On the Birthday of Washington."--"Behold the moss'd cornerstone dropp'd from the wall," ran the first line. It was not a great poem, but it sounded a sincere, patriotic note, had a genuine poetic touch and far excelled most newspaper verse of the day. And so this original young man, with his light brown hair, rather pale face, large eyes and obvious "temperament" began to acquire the character and reputation of a poet. We fancy that this reputation was somewhat limited until on a sudden impulse he wrote "The Fall of Niagara." This piece of blank verse, though now largely forgotten in the lapse of years, had in its time a tremendous vogue. It was copied far and wide, took its place in school readers and for years was declaimed by youthful orators before committees and admiring parents at school exhibitions.