The Friendly Club and Other PortraitsParsons, Francis
History
The Friendly Club and Other Portraits
Parsons, Francis
Authors, American; Hartford (Conn.) -- Biography
He welcomed the appearance of Cooper with enthusiasm, and a story which
ran in the "Mirror" under the title of "Letters from Fort Braddock"
and which was largely in the Cooper manner was written by him though
published anonymously. Indeed a great part of his work dealt with local
matters. "Matchit Moodus" expresses a fantastic legend of the "Moodus
noises." "The Black Fox of Salmon River" embodies in verse another grim
local tradition. "The Shad Spirit" and "Lines to the Connecticut River"
are other similar examples of his use of the folk-lore of the
Connecticut valley.
Professor Beers of Yale cites the exquisite little lyric beginning "The
dead leaves strew the forest walk," as about the best example of his
work. Goodrich says it was written after the departure from Hartford of
a young lady from Savannah to whom the poet had been devoted during her
visit. Very attractive, too, are the lines on "Indian Summer." The blank
verse entitled "The Invalid on the East End of Long Island," has a
melancholy note but deserves remembrance. It was there that Brainard
spent the few weeks just before the end.
He was too sensitive and unaggressive a soul both for the law and for
the political wrangling which attended the newspaper controversies of
the day. In the practical life of his country and his time, which had
small place for artistic aspiration or expression, he was an anomaly
simply because he was a real poet. To this situation may be attributed
no doubt in large measure the sense of failure, unquestionably
exaggerated, which he often expressed. "Don't expect too much of me," he
said to Goodrich at their first meeting, "I never succeeded in anything
yet. I could never draw a mug of cider without spilling more than half
of it."
His frequent depression, however, was not all temperament--it had a
physical basis. In the spring of 1827 incipient tuberculosis compelled
him to give up his work on the "Mirror," and on September 26, 1828, a
month before his thirty-second birthday, he died at his home in New
London.
His death called forth the customary poetic obituary from his friend
Mrs. Sigourney--one of the best she ever wrote--voicing a sincere and
generous appreciation. Whittier, with other poets of the day, added his
word of memory and praise. Perhaps a line from Snelling best expresses
in a few words the whole story--
"The falchion's temper ate the scabbard through."
_V: An Eccentric Visitor_
Public-domain text, read in full here on John Shaqi.
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