The Friendly Club and Other PortraitsParsons, Francis
History
The Friendly Club and Other Portraits
Parsons, Francis
Authors, American; Hartford (Conn.) -- Biography
Perhaps, now and later, something of the poet's license in the matter of
chronology may be granted. Let us assume, then, that young Dr. Mason
Cogswell is in town for a day or two, looking over the ground with a
view of settling here in the practice of medicine and surgery in which
he is now engaged at Stamford, after his training in New York where he
served with his brother James at the soldiers' hospital. It is true that
the fragments of his diary, which by a fortunate chance were rescued
from destruction, do not mention any visit to Hartford as early as this,
though his journal does describe a short sojourn here a few years later.
Still, his presence is by no means impossible. He is a companionable
youth, as popular with the young ladies as Barlow, but with an easier
manner, a readier humor. Delighted at this opportunity to sit for an
evening at the feet of the older celebrities, he is a welcome guest, for
already he has a reputation for versatility and culture and the fact
that he was valedictorian of the Yale Class of 1780--and its youngest
member--is not forgotten.
Richard Alsop, book-worm, naturalist and linguist, who is beginning to
dip into verse, has locked up his book shop for the night and is here.
Near him sits a man who is, or is soon to be, his brother-in-law, a
tall, dark youth, Theodore Dwight, the brother of the more famous
Timothy, whose pastoral duties detain him at Greenfield Hill, but who is
sometimes numbered as one of this group. Theodore is now studying law,
but he has a flair for writing and makes an occasional adventure into
the gazettes.
These more youthful aspirants have their spurs to win. A little later
they, with their friend Dr. Elihu Smith, who published the first
American poetic anthology, are to get into print in a vein of satirical
verse ridiculing the prevalent literary affectation and bombast. After
journalistic publication these satires will appear in book form under
the title of "The Echo," in the introduction to which the anonymous
authors state that the poems "owed their origin to the accidental
suggestion of a moment of literary sportiveness." "The Echo" was
"Printed at the Porcupine Press by Pasquin Petronius."
Public-domain text, read in full here on John Shaqi.
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