The Friendly Club and Other PortraitsParsons, Francis
History
The Friendly Club and Other Portraits
Parsons, Francis
Authors, American; Hartford (Conn.) -- Biography
An intense curiosity to look at one of Uncle Horace's learned volumes
took possession of the interloper and at that age it did not occur to
him that delicacy might demand some hesitation. He tiptoed over to the
chair expecting to see on the cushion some calf-bound, ancient tome
written in characters that were hieroglyphics to him. But a complete
reversal of his ideas about Uncle Horace was at hand. The book that lay
there was in blue-and-gold cloth binding and was a copy of the first
edition of "Huckleberry Finn."
The intruder looked in some astonishment at the spare figure of
Raymond's uncle and perceived that there was no danger of discovery for
the attitude was that of a man completely absorbed. He was listening
intently. At this distance the general hubbub was softened and there was
a rather wistful quality in the childish voices rising and falling with
the lilting old refrain:
"Thus the farmer sows his seeds.
Thus he stands and takes his ease,
Stamps his foot (bang!) and claps his hand (smack!)
And looks around to view the land."
After the lapse of a good many years it is this picture of Raymond's
Uncle Horace that is the most vivid. There was some implication in the
listening figure, with head slightly bowed, one hand resting on the
casing of the doorway, that carried, even to a childish mind, a
suggestion of hitherto unsuspected aspects of the rather lonely
widower's personality. At the time it was all very vague and
unformulated and later speculation has hesitated somewhat before the
privacy thus unwittingly invaded. Yet afterward one could not help at
least wondering what visions of his own childhood he saw as he listened
to the silly old lines of the ancient folk game, handed down through so
many generations and bearing their little testimony to the continuity of
experience.
A tardy sense of eavesdropping awoke at last in the youthful visitor's
mind--an understanding that he did not belong there. He slipped out as
quietly as he had entered, but he took with him a dawning appreciation
of a new incarnation of Raymond's Uncle Horace.
_XIII: The Fabric of a Dream_
"_And that night . . . . a dream of that place came to
Florian, a dream which did for him the office of a
finer sort of memory, bringing its object to mind with
a great clearness, yet, as sometimes happens in dreams,
raised a little above itself, and above ordinary
retrospect. The true aspect of the place . . . . the
fashion of its doors, its hearths, its windows, the
very scent upon the air of it, was with him in sleep
for a season. . . ._"
--THE CHILD IN THE HOUSE.
Public-domain text, read in full here on John Shaqi.
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