The Friendly Club and Other PortraitsParsons, Francis
History
The Friendly Club and Other Portraits
Parsons, Francis
Authors, American; Hartford (Conn.) -- Biography
COUSIN MARY'S home was a little, old, brick house standing flush with
the street. A woodshed where the cat slept in summer extended easterly
from the house and in the angle thus formed was a diminutive garden
where such old-fashioned flowers as holly-hocks, bachelors' buttons,
sweet william and larkspur seemed to bloom earlier and last longer than
elsewhere.
Everything about Cousin Mary's home was on a small scale. She herself
was a very small and slight old lady, but she had inherited from the
hardy New England race from which she sprang a certain tradition of
vitality and longevity which she lived long enough to exemplify in her
own person. Other family legends of uncomfortable eccentricity and
general worrisomeness she utterly disproved, for never was there a
kindlier or more placid soul than she.
Of course she wore a cap with lavender ribbons and gowns of black
bombazine for every day and black silk with lace at the throat for great
occasions. She seldom ventured out of doors, except into her garden, or,
on such annual celebrations as Thanksgiving and Christmas, to a
neighboring relative's home where she was with difficulty persuaded to
take at dinner a glass of port or Madeira, though she always protested
that she did not really need it. Most of her life was spent in the
southeast downstairs sitting-room, where she used to sit in the
smallest, oldest rocking-chair ever seen. On memorable occasions she
would take possession of the kitchen, against the protests of Drusilla,
her companion, and make gingerbread that was famous in the neighborhood,
especially among the children.
To childish imaginations there always seemed something mysterious about
the rooms in Cousin Mary's house--doubtless merely because we never
visited them,--except the sitting-room and the kitchen. The sitting-room
communicated with another room--I think it was called the "parlor"--by
folding doors. These were generally open, but in there the blinds were
always closed and the room was in a kind of perpetual dusky twilight. We
could dimly see within, but no recollection of entering remains, though
there is a faint memory of an obscure marble-topped center-table--were
there not wax flowers on it under a glass cover?--and ancient mahogany
chairs.
Public-domain text, read in full here on John Shaqi.
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